Associate Producer
A visually exuberant documentary that uses powerful collages edited out of archive footage, home videos, live-streaming material and private documentation to offer a glimpse at what (or who) is at work when an image of our reality is arranged.
Producer
16-year-old, Blanka, is both curious and disturbed when her two new step brothers move in. One afternoon she goes all in to provoke a reaction and to mark her territory.
Producer
The film is a Kafkaesque tale of an insignificant Water Inspector who arrives at a giant remote building in order to register the residents’ water meters. Before he knows of it, he finds himself trapped inside the building facing an “Alice in NO-Wonderland”-like maze of obstacles. In his attempt to escape, perception of reality, the rational, and the remnants of his human existence is turned upside down.
Producer
Después de años exiliada en Cuba, Yira regresa a Colombia para reencontrarse con su madre, Ruby. En el contexto del conflicto entre el movimiento rebelde de las FARC y el gobierno colombiano, Ruby se enfrenta a un dilema difícil cuando su hija le pide que se mude con ella a Canadá, una decisión que significaría abandonar la lucha por su pueblo y anteponer a su familia a sus ideales políticos.
Producer
The relationship between Greenland and Denmark is full of fantasy and myths. And these are exactly what Danish artist Lasse Lau reflects upon – and in turn documents – in his first feature-length film. But how do you give a form to the Greenlandic experience when you are an outsider yourself? Lau has created a sensitive film about authenticity and recreation by letting both elements become a part of the work, together with his performers. But also by watching and listening intently. The colonial history is entrenched in both Greenland's infinitely beautiful landscapes and in the collective consciousness. But so is the willingness to break with it and look ahead with a new political self-awareness. 'Lykkelænder' is the result of a long-term research project, but talks about its extremely complex topics in a way that grounds the postcolonial perspective in a recognisable life experience. It does so with both a sense of humour and with emphasis.
