Director
Juana y Mara solo se tienen la una a la otra. Desde el trágico accidente de sus padres viven en la granja de su tía y se ocupan de las colmenas y de la producción de miel. La llegada de un primo desde la capital sacude la quietud del campo. El triángulo desestabilizará la unión de las hermanas.
Writer
Un joven director comienza a indagar en la vida que se esconde detrás de los sueños del cine, hurgando entre cientos de escenas de diferentes épocas y lugares. Esta investigación lo lleva a crear un proyecto invitando al espectador a envolverse en el inconsciente del cine y a un grupo de teóricos a debatir sobre estos misterios. Un ensayo sobre la imagen-sueño y la posibilidad de dilucidar que la verdad se expresa como ficción, porque si el cine no está hecho para traducir los sueños, no existe.
Director
Un joven director comienza a indagar en la vida que se esconde detrás de los sueños del cine, hurgando entre cientos de escenas de diferentes épocas y lugares. Esta investigación lo lleva a crear un proyecto invitando al espectador a envolverse en el inconsciente del cine y a un grupo de teóricos a debatir sobre estos misterios. Un ensayo sobre la imagen-sueño y la posibilidad de dilucidar que la verdad se expresa como ficción, porque si el cine no está hecho para traducir los sueños, no existe.
Director
There is probably no Argentine historical figure that has aroused more controversy and debate than Juan Manuel de Rosas. We analyze how, over the years, his figure was recovered and became a political symbol of many nationalist sectors.
Writer
In 1971, the graphic and advertising artist Juan Fresán set out to film the story of Orélie Antoine de Tounens, the delirious Frenchman who 100 years earlier had proclaimed himself ‘King of Patagonia and Araucanía’, with his own constitution, currency and ministers. The film, titled "New France," was left unfinished, first due to lack of funds and then because its author had to go into exile. If the story is familiar to many today, this is because in the '80s Carlos Sorín made' The King's movie ', inspired by that frustrated shoot, in which he had worked as a cinematographer. In 2004, Fresán contacted Turturro to help him rescue the preserved film. Fresán died in that same year, but Turturro decided to retake the trace of that truncated film, exhuming unpublished materials, returning to their original settings and gathering testimonies, to illuminate the two stories - one within the other - that make up this true story, more strange and fascinating than any fiction.
Director
In 1971, the graphic and advertising artist Juan Fresán set out to film the story of Orélie Antoine de Tounens, the delirious Frenchman who 100 years earlier had proclaimed himself ‘King of Patagonia and Araucanía’, with his own constitution, currency and ministers. The film, titled "New France," was left unfinished, first due to lack of funds and then because its author had to go into exile. If the story is familiar to many today, this is because in the '80s Carlos Sorín made' The King's movie ', inspired by that frustrated shoot, in which he had worked as a cinematographer. In 2004, Fresán contacted Turturro to help him rescue the preserved film. Fresán died in that same year, but Turturro decided to retake the trace of that truncated film, exhuming unpublished materials, returning to their original settings and gathering testimonies, to illuminate the two stories - one within the other - that make up this true story, more strange and fascinating than any fiction.
