Claude d'Anna
Nacimiento : 1945-03-31, Tunis, Tunisia
Historia
Claude d'Anna (born 31 March 1945) is a French film director and screenwriter. He has directed 16 films since 1970. His film Salome was screened in the Un Certain Regard section the 1986 Cannes Film Festival. A year later his film Macbeth would be screened out of competition at the 1987 Festival.
Source: Article "Claude d'Anna" from Wikipedia in english, licensed under CC-BY-SA 3.0.
Writer
In 2011 Tunisia, as the Arab Spring awakens, unemployed graduate Aziz, nicknamed Zizou (Zied Ayadi), travels from his Saharan village to the big city of Tunis in search of a job. From television aerial installation to political intrigue, this fresh-faced young Candide will learn the ways of the world, fall in love with the ravishing Aicha (Sara Hanachi), and become famous.--Eddie Cockrell, FilmFest DC
Writer
Three collegues decide to go for a break to a sea spa hotel because they are overwhelmed with stress at work. There, they come to the realization that all their problems actually stem from one man. This man, who is making a fool of them works in the same company.. Now it's time for revenge!
Director
Three collegues decide to go for a break to a sea spa hotel because they are overwhelmed with stress at work. There, they come to the realization that all their problems actually stem from one man. This man, who is making a fool of them works in the same company.. Now it's time for revenge!
Writer
Armelle, una enfermera francesa que se acaba de recuperar de la puñalada en el rostro que recibió de Nadim, su compañero, comienza una búsqueda para recuperar a su hija, a quien se llevó Nadim. Sola ante la ley, hará todo lo posible para alcanzar su objetivo. Coloca carteles, funda una asociación, obtiene fondos para pagar la búsqueda e informa a los medios de comunicación al respecto. Un increíble equipo humano se pone a trabajar de Francia a Montreal, incluyendo París y Vancouver, hasta que Armelle puede volver a abrazar a su hija en un aeropuerto en el este de Canadá, casi tres años después de que la haya perdido.
Director
Armelle, una enfermera francesa que se acaba de recuperar de la puñalada en el rostro que recibió de Nadim, su compañero, comienza una búsqueda para recuperar a su hija, a quien se llevó Nadim. Sola ante la ley, hará todo lo posible para alcanzar su objetivo. Coloca carteles, funda una asociación, obtiene fondos para pagar la búsqueda e informa a los medios de comunicación al respecto. Un increíble equipo humano se pone a trabajar de Francia a Montreal, incluyendo París y Vancouver, hasta que Armelle puede volver a abrazar a su hija en un aeropuerto en el este de Canadá, casi tres años después de que la haya perdido.
Screenplay
Golpea sin avisar. Se extiende sin detención. Mata sin compasión... Un nuevo virus mortal se está extendiendo a una velocidad incontrolable, infectando a los humanos por medio de la gripe. Una pista lleva a los científicos al otro lado del mundo donde descubren que este virus está siendo portado por las aves migratorias, por lo que tienen una carrera contrarreloj para localizar una vacuna para este brote epidérmico y pararlo antes de que la epidemia sea una amenaza para toda la población mundial...
Writer
Two divorcing spouses go to their son's wedding accompanied by their respective lovers.
Screenplay
The difficult reunion between a tough young mother and her neglected daughter provide impetus this gritty, but upbeat French drama. Daisy, a typical young woman of the X-generation, seems to have no ambition in her life; she lives for the moment and the moment is often self-destructive. Abused as a child, she affects toughness and bravado to disguise her inner fears. Mona, Daisy's seven-year old daughter, is the result of the sexual abuse Daisy suffered while she was a child. Mona was raised by her father, but after he went to prison and his girlfriend rejected her, Mona must return to her mother. The reunion is not joyful and the two must lower plenty of mutual barriers if they are to bond. When Mona's lover Sami is arrested for a shooting, Daisy and Mona go on the lam. To survive they become con-artists and petty thieves. Just as things start to improve, finds out that her new boss has been having her deliver kiddie-porn.
Director
The difficult reunion between a tough young mother and her neglected daughter provide impetus this gritty, but upbeat French drama. Daisy, a typical young woman of the X-generation, seems to have no ambition in her life; she lives for the moment and the moment is often self-destructive. Abused as a child, she affects toughness and bravado to disguise her inner fears. Mona, Daisy's seven-year old daughter, is the result of the sexual abuse Daisy suffered while she was a child. Mona was raised by her father, but after he went to prison and his girlfriend rejected her, Mona must return to her mother. The reunion is not joyful and the two must lower plenty of mutual barriers if they are to bond. When Mona's lover Sami is arrested for a shooting, Daisy and Mona go on the lam. To survive they become con-artists and petty thieves. Just as things start to improve, finds out that her new boss has been having her deliver kiddie-porn.
Writer
Quentin and André, two brothers who had lost sight for several years, find themselves in the family home, uninhabited since the death of their parents.
Director
Quentin and André, two brothers who had lost sight for several years, find themselves in the family home, uninhabited since the death of their parents.
Director
This production of Giuseppi Verdi's opera based on Macbeth, the famed play by William Shakespeare, is a musical succès d'estime but falls short in the cinematic arena. Shirley Verrett stars as the murderous and ambitious Lady Macbeth, Leo Nucci co-stars as her similarly ambitious but slightly more scrupulous husband, who has the good grace to feel some horror at his deeds before he does them. The entire opera was filmed inside a Belgian castle, and some of the smaller parts are obviously lip-synched to pre-recorded music.
Director
Claude D'Anna's film of Verdi's Macbeth is a gloomy affair, stressing the descent into madness of the principal villains. It's acted by the singers of the Decca recording of the opera (with two substitutions of actors standing in for singers) and the lip-synching is generally unobtrusive. The musical performance is superb, conducted by Riccardo Chailly with admirable fire, and sung by some of the leading lights of the opera stages of the 1980s. Shirley Verrett virtually owned the role of Lady Macbeth at the time, and she delivers a terrific performance, the voice equal to the role's wide register leaps and it's suffused with emotion, whether urging her husband on to murder or maddened by guilt in the Sleepwalking Scene. Leo Nucci's resonant Macbeth may lack the ultimate in vocal color and steadiness (his last notes of the great aria Pietà, rispetto, amore are wobbly) but he compensates with intensity in both singing and acting.
Screenplay
John the Baptist, the prophet of Israel, is imprisoned by Herod, governor of Judea for protesting Herod's marriage to his brother's wife. Jealousies rage and Herod's step-daughter and niece Salome seduces Herod by means of a torrid dance to give her the head of the prophet - but then tries to save the life of the man she has thus condemned. Updated to a WWII setting
Story
John the Baptist, the prophet of Israel, is imprisoned by Herod, governor of Judea for protesting Herod's marriage to his brother's wife. Jealousies rage and Herod's step-daughter and niece Salome seduces Herod by means of a torrid dance to give her the head of the prophet - but then tries to save the life of the man she has thus condemned. Updated to a WWII setting
Director
John the Baptist, the prophet of Israel, is imprisoned by Herod, governor of Judea for protesting Herod's marriage to his brother's wife. Jealousies rage and Herod's step-daughter and niece Salome seduces Herod by means of a torrid dance to give her the head of the prophet - but then tries to save the life of the man she has thus condemned. Updated to a WWII setting
Director
Writer
Una familia arisócrática siciliana en los años 50 del siglo XX. El conde Villafratti practica el sexo una noche con su hermana nimfómana porque cree que es su esposa.
Director
Una familia arisócrática siciliana en los años 50 del siglo XX. El conde Villafratti practica el sexo una noche con su hermana nimfómana porque cree que es su esposa.
Screenplay
A woman on a train becomes the center of attention when she is mistaken for a spy by opposing factions who are traveling on the same line.
Director
A woman on a train becomes the center of attention when she is mistaken for a spy by opposing factions who are traveling on the same line.
Writer
Anne lives with her husband in Belgium where she works as a restorer of paintings. When she becomes pregnant, she finds herself remembering a picture she did some time ago and of which she has no memory, no recollection of what happened to it. It becomes her goal to discover and clarify the mystery behind this painting, at the same time she notices that a strange man is following all of her moves.
Director
Anne lives with her husband in Belgium where she works as a restorer of paintings. When she becomes pregnant, she finds herself remembering a picture she did some time ago and of which she has no memory, no recollection of what happened to it. It becomes her goal to discover and clarify the mystery behind this painting, at the same time she notices that a strange man is following all of her moves.
Director
Writer
Three sisters visiting their uncle in his island home, find themselves alone with the late uncle's manservant. Their relations reveal a dark side in all of them, and gender, racial, and class tensions that lead to situations of humiliation, domination and sex, and death.
Director
Three sisters visiting their uncle in his island home, find themselves alone with the late uncle's manservant. Their relations reveal a dark side in all of them, and gender, racial, and class tensions that lead to situations of humiliation, domination and sex, and death.