Edwin Verstegen

PelĂ­culas

The World as a Collection
Camera Operator
An obsessive collector (Erik Fens) creates his own scrapbook world. The film presents analyses of the collecting impulse based on Freudian theorie and Buddhism.
Anna II
Director of Photography
Not a single word is spoken in the mini-drama Anna II. The sounds and glances produced by the leading character, the cow Anna II, are telling enough. Her mooing and smacking minutely convey her displeasure with her farmer's budding conjugal bliss. When, on the morning after the wedding night, he enters the cowshed but does not pay enough attention to his prize cow yet, Anna II has had it. The cow's sultry gaze registers how the bride brings the farmer a cup of coffee.
Glazenwassers
Cinematography
A stylized short documentary in which Rotterdam is viewed through the eyes of six window washers. A world of ladders, glass, water, physical exertion and great heights.
Nostalgia
Cinematography
"Two years ago [c. 1997], Tato Kotetishvili went to Georgia, his birthplace, where he hadn't been for ten years. After he had come to Holland and found a partner in Rotterdam, the civil war started in Georgia so he was unable to return home. The reason to go home now was a video tape of his wedding, where many Georgian relatives, friends and acquaintances were gathered together. Kotetishvili wanted to know what had panned [sic] to them, how his family had come through the war.The result of this journey was Nostalgia, a personal documentary that shows in an associative style the effects of the civil war on the lives and mutual contacts of Kotetishvili's family. Kotetishvili found out that life in Georgia had changed; what he hoped to find was gone, had changed or become grounds for conflict. He felt an outsider in his own country. The Georgia he knew was only a memory.Kotetishvili died suddenly just after returning to Holland. His partner Ineke Smits completed Nostalgia."