Jean-Claude Guiguet

From the mid sixties to the late nineties, movie theaters of the Golden Age discreetly shut down by the hundreds, in one neighbourghood after another, in one village after another, ending their existence in showing blue movies and Z movies - Except for the reopening of a few, they all became, at best, garages, places of worship, discount stores and supermarkets. These ancient movie temples - huge cathedrals or tiny chapels - still stand out from present-day too common buildings. If this movie is a journey into the past, revealing a silent world that is lost at the very core of modern cities, it also sends all moviegoers back to their own memories and to their intimate relationship with the passing of time. Each deserted theater, each facade of old movie houses, keeps its very own untouched emotional power - NOWADAYS.

Todas las canciones de amor hablan de lo mismo: 'Hay demasiada gente que te quiere'... 'No podría vivir sin ti'... 'Sorry Angel'... "Las canciones de amor", la interpretación musical de tres amantes en París, habla también de estas cosas.

The portrait of a self-taught man.

The portrait of a self-taught man.

Both unchanging and multiform, between heaven and earth, all the shades of light, from dawn till dusk, gleam on the entangled roofs of a city with no name.

Both unchanging and multiform, between heaven and earth, all the shades of light, from dawn till dusk, gleam on the entangled roofs of a city with no name.

Both unchanging and multiform, between heaven and earth, all the shades of light, from dawn till dusk, gleam on the entangled roofs of a city with no name.

The new Saint Denis-Bobigny streetcar picks up and drops off commuters in an all-too-brief transit of their lives. Among the regular riders is a woman who is both spectator and guide – she introduces, comments on, ponders and catalyzes the sometimes vain, sometimes serious preoccupations of her fellow travelers, who, for the moment, are rushing headlong toward their destiny. The commuters and their observer have double lives. Once they step off this streetcar, the real-life dramas begin. Each has his or her style of living or dying…

The new Saint Denis-Bobigny streetcar picks up and drops off commuters in an all-too-brief transit of their lives. Among the regular riders is a woman who is both spectator and guide – she introduces, comments on, ponders and catalyzes the sometimes vain, sometimes serious preoccupations of her fellow travelers, who, for the moment, are rushing headlong toward their destiny. The commuters and their observer have double lives. Once they step off this streetcar, the real-life dramas begin. Each has his or her style of living or dying…

Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.

Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.

An old woman who is unaware that she is near death, falls in love with her son’s young American tutor.

An old woman who is unaware that she is near death, falls in love with her son’s young American tutor.

Imagine a slightly dilapidated three star hotel in the tenth arrondissement run by a very distinguished lady with moral fibre and panache, Mrs. Coppercage. Alongside tourists visiting Paris, Mrs. Coppercage rents three rooms to three women at a monthly rate. Each woman is marked by life, yet they go on as best they can, never closing their eyes to the world around them, or to the men who impatiently await them. Faubourg Saint Martin opens as a love story and ends like a song as shots ring out and punctuate the chorus.

Imagine a slightly dilapidated three star hotel in the tenth arrondissement run by a very distinguished lady with moral fibre and panache, Mrs. Coppercage. Alongside tourists visiting Paris, Mrs. Coppercage rents three rooms to three women at a monthly rate. Each woman is marked by life, yet they go on as best they can, never closing their eyes to the world around them, or to the men who impatiently await them. Faubourg Saint Martin opens as a love story and ends like a song as shots ring out and punctuate the chorus.

A woman returns after twenty years to Toulon where her husband, who collaborated with the nazis, was murdered. Her motives are unclear.

Nine short films about love.

Nine short films about love.

Christian, an art critic, must write a study on the painter René Dimanche in order to understand why he did not produce anything for eight years. He asks his friend Ingrid to help him break through this mystery.

A young woman visits an old friend to relieve her heartache.

A young woman visits an old friend to relieve her heartache.

Camille, a young, provincial, proletarian man works for Hélène Courtray, who is still beautiful and seductive. She's a sophisticated, cultivated and well-to-do woman who has engaged him to care for her reclusive son who has spent the past few years voluntarily locked up in his room. An encounter between two persons and two worlds where the relationship of the young man to this closed, strange and unknown universe rapidly turns tragedy.

Camille, a young, provincial, proletarian man works for Hélène Courtray, who is still beautiful and seductive. She's a sophisticated, cultivated and well-to-do woman who has engaged him to care for her reclusive son who has spent the past few years voluntarily locked up in his room. An encounter between two persons and two worlds where the relationship of the young man to this closed, strange and unknown universe rapidly turns tragedy.

Camille, a young, provincial, proletarian man works for Hélène Courtray, who is still beautiful and seductive. She's a sophisticated, cultivated and well-to-do woman who has engaged him to care for her reclusive son who has spent the past few years voluntarily locked up in his room. An encounter between two persons and two worlds where the relationship of the young man to this closed, strange and unknown universe rapidly turns tragedy.

The fortunes of a small theatrical company based in the Paris suburbs.

The fortunes of a small theatrical company based in the Paris suburbs.

Pierre Lentier murders an 8-year-old in horrendous circumstances. This 30-something solitary factory worker who lives on the edge of society is sentenced to death. A damning indictment of the death penalty and the manipulative behaviour of the media.

A well-known politician receives a tape showing her son in a porno movie. She decides to hire a female detective to figure out who is trying to blackmail her.

Dos actrices, interpretadas por Hélène Surgiré y Sonia Saviange, que ya no están en su mejor momento, conviven en un apartamento en París. Muy a lo Fassbinder, es un retrato duro, claustrofóbico, seco y a veces patéticamente divertido.

Émile reproduce el crimen que presenció cuando era pequeño: un estrangulador con pañuelo blanco. Es el autor de cinco crímenes gratuitos perpetrados contra mujeres desesperadas. Un periodista de televisión intenta descubrirle.