Herself
Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.
Producer
The roaming outlaw Okayo, also known as Benten due to the prominent tattoo of the Buddhist Goddess of Love emblazoned across her back. On the run from her persecutors, who seek to claim the tattoo and its skin canvas as a bounty, Okayo finds a safe haven in the arms of the mysterious shakuhachi (bamboo flute) playing Seigaku, himself tattooed with the image of Kisshoten, the Goddess of Prosperity.
