Jim Kohlberg

Películas

Cada respiro que das
Executive Producer
La carrera profesional de un psiquiatra está en peligro después de que uno de sus pacientes se quite la vida.
OVNI: No estamos solos
Executive Producer
Derek, un brillante estudiante universitario, atormentado por un avistamiento de ovnis en la infancia, cree que misteriosos avistamientos reportados en varios aeropuertos a través de los Estados Unidos son OVNIS. Con la ayuda de su novia, Natalie, y su profesor de matemáticas avanzadas, el Dr. Hendricks, Derek lucha para desentrañar el misterio con el agente especial del FBI Franklin Ahls pisándole los talones.
La música nunca dejó de sonar
Director
Basada en el caso de estudio de Oliver Sacks, 'El último hippie', la primera película de Jim Kohlberg examina una familia dividida por el choque cultural y generacional de los años 60. 20 años después de que su hijo huyera de casa, Henry y Helen Sawyer lo encuentran en un hospital, enfermo de un tumor cerebral que le hace incapaz de distinguir entre el pasado y el presente. Sólo reacciona ante la música rock que solía escuchar, de modo que sus padres le buscan una terapeuta musical para ayudarle con su recuperación.
Trumbo y la lista negra
Executive Producer
Through a focus on the life of Dalton Trumbo (1905-1976), this film examines the effects on individuals and families of a congressional pursuit of Hollywood Communists after World War II. Trumbo was one of several writers, directors, and actors who invoked the First Amendment in refusing to answer questions under oath. They were blacklisted and imprisoned. We follow Trumbo to prison, to exile in Mexico with his family, to poverty, to the public shunning of his children, to his writing under others' names, and to an eventual but incomplete vindication. Actors read his letters; his children and friends remember and comment. Archive photos, newsreels and interviews add texture. Written by
Runaway
Producer
Michael Adler has run away from his suburban home with his little brother Dylan. Hiding out in a quiet, rural town, Michael's convinced he can make a better life for both of them. While Dylan stays holed up in a cheap motel all day, Michael works at a convenience store where everything starts to come together for him. But as Michael falls in love with his beautiful co-worker, Carly, his past begin
Two Family House
Executive Producer
Buddy Visalo (Michael Rispoli) is a factory worker, a frustrated crooner who once had a shot at the big time. Buddy's dreams of greatness have been reduced to an endless series of failed moneymaking schemes. His latest is buying a two-family house for him and his wife, Estelle (Katherine Narducci) and converting the ground floor into a neighborhood bar where he can perform. The wrench in the works is that he also inherits the upstairs tenants, Mary,a pregnant Irish girl fresh off the boat (Kelly Macdonald) and her abusive, alcoholic husband, Jim (Kevin Conway). As Buddy's gang of Italians tries to handle the situation, the girl goes into labor, and a baby is born, forcing them all to confront the limits of their tolerance and compassion.
La música nunca se detuvo
Director
Henry y Helen Sawyer encuentran a su hijo Gabriel 20 años después de que huyera de casa, en un hospital, enfermo y con un tumor cerebral que le hace incapaz de distinguir entre el pasado y el presente. Sólo reacciona ante la música rock que solía escuchar, de modo que sus padres le buscan una terapeuta musical para ayudarle con su recuperación. Juntos descubren el poder de la música como terapia de curación, con canciones de Bob Dylan, Rolling Stones, Greatful Dead y The Beatles, entre otros...