Peter Roehsler

As a young stranger enters the life of a rich but emotionally paralyzed family, everything changes.

A journey through Viennese cinemas, from the first showings by the brothers Lumière to modern megaplexes.

Sin and Illy have a plan: on a Greek island they want to get 'clean' on their own. But the intention of the two girls fails already on the way to the airport. Finally Sin realizes she has to go the way out of heroin addiction all alone.

Sin and Illy have a plan: on a Greek island they want to get 'clean' on their own. But the intention of the two girls fails already on the way to the airport. Finally Sin realizes she has to go the way out of heroin addiction all alone.

Rain on a window pane, a fire truck, a tomcat with innumerable offspring: it is an intentionally unintentional gaze that allows for chance encounters, for stories and memories - leads that Ruth Beckermann follows across Europe and the Mediterranean. Nigerian asylum seekers in Sicily, an Arab musician in Galilee, nationalists drunk on beer in Vienna, the Capitoline Wolf, and three veiled young women trying for minutes to cross a busy road in Alexandria. Threads, cloth and textiles pop up like book marks in a fabric of movement, of traveling or seeking refuge.

The most famous Museum in Vienna appears in the film as a mysterious intersection where the characters explore their own lives, the city and how art reflects the world.

Planning to take any job she can get in order to save enough money and leave Turkey for the U.S., Mina is hired at an Istanbul café as a fortune teller who reads the dregs in coffee cups. She discovers she has the ability to offer comfort and insight to the customers who are just as lost in the wilderness as she is.

After 20 years in prison, the former angel of death at Lainz hospital has been released, and she now works in the Prater amusement park, at a restaurant that specializes in roast knuckle of pork. Observing the guests and how they behave reawaken old emotions, and she poisons a pork knuckle to punish the happy people. The movie audience can use their remote control devices to decide who dies.

The inner lives of six people are explored. Each has a connection to the Viennese subway station Schottentor.

The inner lives of six people are explored. Each has a connection to the Viennese subway station Schottentor.

Marc Aurel-Straße in Vienna: The last surviving Jewish textile merchant in the former textile district, the Iranian hotel proprietor and the Café Salzgries and its regulars. Between the summer of 1999 and spring 2000, Ruth Beckermann undertook a series of small journeys on and around her own doorstep and investigated her local area with the help of a film crew. This documentary film also gives an insight into the political changes when a far right Party joined the Government coalition in Austria.

How to have children without having sex. Two sisters, one married to a man, the other married to God. One goes through artificial insemination and the other through spiritual insemination. Who will be successful in their attempt?

How to have children without having sex. Two sisters, one married to a man, the other married to God. One goes through artificial insemination and the other through spiritual insemination. Who will be successful in their attempt?

"We Will Live Forever" is the search for traces of the destroyed Jewish culture of Wilna. While the gentile Viennese band "gojim" looks for the musical traces of this extinguished culture, we get a very personal view of the era through the eyes of three witnesses of this time. On behalf of the many who can no longer speak, they tell stories about childhood, youth and resistance in and around the ghetto of Wilna.

"We Will Live Forever" is the search for traces of the destroyed Jewish culture of Wilna. While the gentile Viennese band "gojim" looks for the musical traces of this extinguished culture, we get a very personal view of the era through the eyes of three witnesses of this time. On behalf of the many who can no longer speak, they tell stories about childhood, youth and resistance in and around the ghetto of Wilna.

White-tiled rooms, neon lighting; on the walls black and white photographs documenting the atrocities committed by the german Wehrmacht on the Eastern Front in WW2. Against this background former soldiers talk about their experiences beyond the bounds of "normal" warfare. An uncompromising film on remembrance and oblivion.

The Austrian architect Hans Hollein belongs to the world elite of architects since his candle shop Retti in Vienna (1965). His museum in Mönchengladbach (1982) revolutionized museum architecture in our century, and his Haas-Haus (1990) in Vienna became the most disputed post-war building in Vienna.

When Hitler's infamous "Anschluss" annexed Austria to Germany in 1938, the lives of 130,000 Jewish Austrians were placed at risk. Over the next three years, some 30,000 managed to emigrate to the United States, settling mainly in New York City. In Austrian filmmaker Egon Humer's brilliant and moving documentary EMIGRATION N.Y., twelve Viennese Jews -- seven women, five men -- recount their lives as children in Austria, as emigrants, as New Yorkers. Deceptively simple in style, the film gathers striking emotional power as its subjects (who include Amos Vogel, co-founder of the New York Film Festival) offer fresh and often surprising views on their experience of exile and assimilation.

Industrial mass murder in the Third Reich, atrocities in other wars, cruelty perpetrated by "normal" citizens: "obedience" appears to be the key to this behavior.

A human being has no sensory organ for time. We perceive it, and what is it which we are perceiving thereby? To what extent does our contemporary society influence the way we experience it? Why has time become a dominating factor in the mordern world?

Performance conceived by Erich Wonder & Heiner Müller for the 300th anniversary of the Akademie der bildenden Künste in Vienna. The band, Einstürzende Neubauten, is located on a glass palace/stage on wheels (accompanied by the slavish trotting of huskies) which is slowly moving on the nightly ring road of Vienna.

The Soviet Union is the Soviet Union. There's no way out. What's needed is an iron fist, a Stalin, a Hitler or whoever: the rule of an iron fist is certainly what's needed now. A journey into the ravaged landscape of the soul of Russian youth, an intimate study of the human factor in the social catastrophe.

"Need to think" is the sequel to the 1983 film documentary "Mama funny ...?". The protagonist is once again Christian, a young man with Down's Syndrome who is by now twenty-four years old.

"Miesi" is the story of three Africans attempting to settle down in Austria. A hunting excursion with two boys marks the beginning of something akin to rapprochement and understanding between people of different cultures.

Manfred Deix is a cartoonist an painter. Above all, his aggressive caricatures of politicians and political events in the Austrian provinces have made him notoriously famous far beyond national borders. His very personal chronicles of current events and portrayals of human calamities (Deix's people are generally obese and disproportionate) are also the contents of four books which are bestsellers. This documentary film of Peter Hajek describes the career and work of the Austrian, not only at work but among his numerous cats which, apart from his wife, mean very much to him.