Jacqueline Audry

A police drama set in an unidentified and oppressed South American country among a group of conspirators. The main characters are two sisters Soledad and Tita.

A police drama set in an unidentified and oppressed South American country among a group of conspirators. The main characters are two sisters Soledad and Tita.

The holidays at a pension in Touquet (North-Western France) are marred by a series of tragic disappearances.

"Les petits matins" is a story of eighteen-year old Agathe (Agathe Aëms) with a firm independence of men even if she uses them to get to the côte d'azur. Along the way she meets a lot of people , mostly men. And the director does not spare the sterotypical image of early 60s middle aged male cliches to lampoon. But this is all very light stuff, nothing too intellectual. But it's often charming, and there's a bevy of well-known actors involved. Jean -Claude Brialy (the pompous, self absorbed male lead of Rohmer's "Claire's Knee"), Claude Rich, Lino Ventura, François Perrier, Pierre Brasseur, and the couple Bernard Blier & Arletty, who team up here for the first time since Marcel Carné's "Hôtel du Nord" (1938).

Burgundy 1728. Old count Antoine d'Eon is overjoyed. His daughter-in-law has finally given birth to a boy and he will at long last be able to transmit his inheritance to his son Pascal. At least this is what he thinks, for Pascal has concealed from his father the fact that his son was ... a daughter, his eighth daughter! Well, enough is enough and Geneviève has no other choice but become a boy first, then a soldier and even the special envoy of Louis XV, King of France, to Catherine II, the Czarina of Russia.

A young Parisian woman attends a school for coquettes in order to rise in society.

A bossy count has trouble marrying off any of his six sons. When one of them, Adam, finally makes wedding arrangements, something happens to his bride to be: she develops amnesia after an accident.

La Garçonne is a 1957 French film directed by Jacqueline Audry. It follows Monique, an ingenue and a clueless girl who believes in true love. When she discovers her future husband has a lover, she rebels against her bourgeois life:s he will lead a free and wild life and she will live like a man. Soon she becomes the toast of Gay Paris, sleeping with all the men around, and even with a woman.

La Garçonne is a 1957 French film directed by Jacqueline Audry. It follows Monique, an ingenue and a clueless girl who believes in true love. When she discovers her future husband has a lover, she rebels against her bourgeois life:s he will lead a free and wild life and she will live like a man. Soon she becomes the toast of Gay Paris, sleeping with all the men around, and even with a woman.

During the First World War, the Empyrée Montmartre, a Paris music-hall, is dedicated to patriotic revues whose star is the charming Mitsou. The young artist is not without talent but she is mainly well-connected. She is indeed the cherished mistress of Pierre Duroy-Lelong, a rich industrialist. One night, thanks to Petite-Chose, an ebullient singer-dancer and her co-star, she gets to know a handsome army, Lieutenant Bleu. Mitsou falls madly in love with him and Lieutenant Bleu is physically attracted to her. The trouble is that Bleu comes from a distinguished family and cannot put up with her lack of culture and artistic bad taste...

The scene is a tawdry hotel room in Limbo, where several damned souls are gathered. At first, the group fails to comprehend where they are or why they're there. When the horrible truth dawns upon them, they carp and snipe at one another, blaming everyone but themselves for their dismal fate.

As in a Hollywood western, rice growers and bull cultivators come into conflict in the Camargue.

"Olivia" narra las nacientes pasiones que despierta una adolescente inglesa enviada durante un año a estudiar en una pequeña escuela parisina. (FILMAFFINITY)

"Olivia" narra las nacientes pasiones que despierta una adolescente inglesa enviada durante un año a estudiar en una pequeña escuela parisina. (FILMAFFINITY)

Minne is a very imaginative young lady. She pretends to have had lovers and can't think of anything better to do other than... to tell Antoine, her husband, the day she marries him. Bad beginning for the couple... As the marriage is not consummated for years, Minne feels frustrated and tries to find elsewhere the carnal knowledge she does not find at home. But Antoine is a kind-hearted man and on the occasion of a trip, a sexual balance is at last found between the two partners.

Gilberte is a sixteen year old girl raised by her aunt and grandmother to be a demimondaine. But she's not ready for that yet, and spends her days in lessons and in teasing Mamita's old friend, the rich playboy Gaston LaChaille, and following his affairs from afar. But when Gaston throws off his latest mistress, it looks as if Gigi just might be ready to begin her destined career.

Shortly before the War, Jan Lazlo, a Hungarian musician who has emigrated to France, falls for a young woman. Alas, the lady forsakes him and the poor man tries to overcome his grief by writing "Gloomy Sunday", a song so desperate that it can drive its listeners to suicide. Max, a music publisher, likes the song and decides to launch it by all means, foul or fair. Bob, his accomplice, manages to talk his mistress Michèle into committing a fake suicide. She obeys him and the scheme is a success as a result. On this occasion, Jan gets to know Michèle and the two young people fall in love. Happiness seems to be in store for Jan again but this is without counting with Bob. Jealous of Jan, the naughty fellow indeed tells him that Michèle's attempted suicide was nothing but an advertising pretense.

Sophie de Réan, an unruly mischievous little girl grows up under the thumb of Mademoiselle, her strict governess. Following her mother's death, she is entrusted to Mme de Fleurville, her aunt, who at the same time hires Mademoiselle to further Sophie's education. A few years later, the little girl has blossomed into a lovely young lady. She is now in love with Paul, her cousin, who, unlike her, used to be a model child. Unfortunately Mademoiselle will not hear of a union between them. Instead she wants Sophie to marry Armand, the conceited son of Prefect Hugon. To make matters worse, Paul, the good boy, unexpectedly turns into a revolutionary, who defends the Republic on the barricades against Louis Napoléon's coup. Not being one of the victors, Paul is forced into exile. Will Sophie finally yield and accept the established order or will she react in her usual rebellious way and follow the one she loves ?