Co-Producer
The story of Iceland’s oldest boys band, Studmenn, is truly remarkable and is told here from childhood till ripe old age.
Screenplay
The story of Iceland’s oldest boys band, Studmenn, is truly remarkable and is told here from childhood till ripe old age.
Director
The story of Iceland’s oldest boys band, Studmenn, is truly remarkable and is told here from childhood till ripe old age.
Producer
Ofeigur, the passed away father of Anna Sol walks again and starts to involve her life and her boyfriend, Ingi Brjann. The young couples are going to sell the house of the dead but Ofeigur is not very happy with that and tries to convince them not to do it. The intervention of the ghost is so irritating that Ingi Brjann tries to get him away by using methods from an old magic book.
Writer
Ofeigur, the passed away father of Anna Sol walks again and starts to involve her life and her boyfriend, Ingi Brjann. The young couples are going to sell the house of the dead but Ofeigur is not very happy with that and tries to convince them not to do it. The intervention of the ghost is so irritating that Ingi Brjann tries to get him away by using methods from an old magic book.
Director
Ofeigur, the passed away father of Anna Sol walks again and starts to involve her life and her boyfriend, Ingi Brjann. The young couples are going to sell the house of the dead but Ofeigur is not very happy with that and tries to convince them not to do it. The intervention of the ghost is so irritating that Ingi Brjann tries to get him away by using methods from an old magic book.
Director
No plot found
Director
Continues the story of the characters from the movie On Top (1982), now 22 years older.
Writer
Continues the story of the characters from the movie On Top (1982), now 22 years older.
Writer
Post-war provincial Iceland: around 1950, Freyja, who'd been a plump teen, returns from America, a widow with a 20-inch waist, seven suitcases of dresses, and a list of who ever wronged or slighted her. She moves in with an aunt and socialist uncle: finding a new husband is high on her agenda, and she's mistrusted by Agga, a pre-teen who's our eyes and ears. The social order and Freyja are more complicated than they seem at first, and so may be her prospects. Class divisions, families ties, pride, the onset of puberty, and the power of Eros sliver the ice.
Director
Post-war provincial Iceland: around 1950, Freyja, who'd been a plump teen, returns from America, a widow with a 20-inch waist, seven suitcases of dresses, and a list of who ever wronged or slighted her. She moves in with an aunt and socialist uncle: finding a new husband is high on her agenda, and she's mistrusted by Agga, a pre-teen who's our eyes and ears. The social order and Freyja are more complicated than they seem at first, and so may be her prospects. Class divisions, families ties, pride, the onset of puberty, and the power of Eros sliver the ice.
Writer
Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913.
Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island.
Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson).
The film's score features traditional folk music.
Producer
Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913.
Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island.
Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson).
The film's score features traditional folk music.
Director
Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913.
Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island.
Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson).
The film's score features traditional folk music.
Writer
Mummi, a sixteen year old farmers son falls in love with Sigrún, but when it comes to love, Mummi has no experience and thus must figure it out for himself.
Director
Mummi, a sixteen year old farmers son falls in love with Sigrún, but when it comes to love, Mummi has no experience and thus must figure it out for himself.
Driver
After 15 years Pétur returns to Baddi's auto garage that is still located at the end of the world. Baddi lives there with his two children and worker. 15 years before terrible events occurred at the garage that forced Pétur to leave.
Writer
Albert works in the meat section of a convenience store who falls in love with a woman who frequents the store.
Director
Albert works in the meat section of a convenience store who falls in love with a woman who frequents the store.
Albert works in the meat section of a convenience store who falls in love with a woman who frequents the store.
Director
A women tries to get the soul of her dead husband through heaven's gate to save him.
Writer
A political comedy about the effects of the apparent discovery of gold in the sands near a small community on Iceland's south coast. Troops from the American NATO base "invade" the territory, journalists from Reykjavik arrive and the morals of the local inhabitants quickly turn topsy-turvy.
Director
A political comedy about the effects of the apparent discovery of gold in the sands near a small community on Iceland's south coast. Troops from the American NATO base "invade" the territory, journalists from Reykjavik arrive and the morals of the local inhabitants quickly turn topsy-turvy.
Editor
The film is about travelling on horseback across the Icelandic interior on the main route, which once connected the north of Iceland with the shout. This route was the scene of a tragic accident in the 18th century, when young farmers moving a flock of sheep to the North, perished in a snowstorm. For many years following the incident the track was not used, until the 19th century, when Captain Daniel Bruun from Denmark, accompanied by a photographer and a water-colour artist, crossed the difficult terrain, deep rivers, and rocky heights in sun, rain, fog and wind, marking the way with stones laboriously heaped into cairns.
Director
The film is about travelling on horseback across the Icelandic interior on the main route, which once connected the north of Iceland with the shout. This route was the scene of a tragic accident in the 18th century, when young farmers moving a flock of sheep to the North, perished in a snowstorm. For many years following the incident the track was not used, until the 19th century, when Captain Daniel Bruun from Denmark, accompanied by a photographer and a water-colour artist, crossed the difficult terrain, deep rivers, and rocky heights in sun, rain, fog and wind, marking the way with stones laboriously heaped into cairns.
Director
Two rock groups, one male, the other female, decide to do a combined effort to hit the road of stardom by doing a show together. As the show is getting on the road, the lead singers of the two groups have a disagreement which brings about a parting of ways, in love as in life. A historic tour of the country begins, which through the music and performances of the two groups as well as the reactions of their audiences, reveals, beneath the comedy, glimpses of today's real competition between the sexes, seen against the background of Icelandic life.
Writer
No plot found anywhere online.
Director
No plot found anywhere online.
The Narrator
No plot found anywhere online.
Writer
Based on the saga of Gísli Súrsson, one of the Icelandic Sagas.
Director
Based on the saga of Gísli Súrsson, one of the Icelandic Sagas.
Producer
A drama shot on location in Reykjavík which deals with the pregnancy of a 16 year old schoolgirl and the effect it has on her life. This is an unusual look at a classic situation through the eyes of the young mother-to-be. Humour heightens the refreshingly new treatment of the subject matter.
Editor
A drama shot on location in Reykjavík which deals with the pregnancy of a 16 year old schoolgirl and the effect it has on her life. This is an unusual look at a classic situation through the eyes of the young mother-to-be. Humour heightens the refreshingly new treatment of the subject matter.
Screenplay
A drama shot on location in Reykjavík which deals with the pregnancy of a 16 year old schoolgirl and the effect it has on her life. This is an unusual look at a classic situation through the eyes of the young mother-to-be. Humour heightens the refreshingly new treatment of the subject matter.
Director
A drama shot on location in Reykjavík which deals with the pregnancy of a 16 year old schoolgirl and the effect it has on her life. This is an unusual look at a classic situation through the eyes of the young mother-to-be. Humour heightens the refreshingly new treatment of the subject matter.
Director
An Icelandic farmer's son decides to leave his farm, fiance, friends, dog and horse, during the depression before World War II, to start a new life somewhere else.
Editor
An Icelandic farmer's son decides to leave his farm, fiance, friends, dog and horse, during the depression before World War II, to start a new life somewhere else.
Writer
A group of school kids on a ski trip start hearing startling news from the radio.
Director
A group of school kids on a ski trip start hearing startling news from the radio.
Director
Nonni, an 11 year old boy has to deal with the loss of his father who died in the second world war.
