Marco Carosi

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

It’s a hard life for young Leo: his family just doesn’t understand why he’s a vegetarian lion. His solitude ends when he meets Avoria, the elephant queen, who has recently given birth to two calves with braided tails. Mysteriously widowed, Avoria is courted by dapper Zanco. By a series of misfortunes she is separated from her young. Leo steps in to take care of them: thus begins his search for legendary Milk Lake, during which he experiences all sorts of incredible adventures. This fable with a happy ending handles the themes of diversity and racism with engaging originality.

The clever and passionate Madame De Saint-Ange has taken into consideration the education of the young and illiterate Eugenie and at the same time wants to seduce Marquis Dolmance, a famous homosexual philosopher. In two days, with the help of her brother, the Cavalier de Mirvel and the young servant Augustin, Madame will bring the company to completion with more or less mischievous geniuses, put in place through a combination of sensuality, eroticism and feeling.

Precuela de "El exorcista" (The Exorcist, 1973), de William Friedkin, que relata el primer encuentro del padre Lankester Marin (Stellan Skarsard) con el diablo, en África, durante la Segunda Guerra Mundial.

Morgan Adams y su esclavo, William Shaw, se lanzarán a la búsqueda de los tres trozos de un mapa del tesoro. Por desgracia, el último trozo está en manos de su cruel tío Dawg. Su tripulación no cree mucho en sus dotes de liderazgo, así que antes deberá enfrentarse a un conato de motín contra ella. Todo se complicará aún más con los esfuerzos de la Corona Británica para terminar con sus incursiones piratas.