Producer
Mirta Regina Satz worked as chief of treasury of AMIA (Mutual Association Israelita Argentina), interspersing her love for art, until July 18, 1994. In the middle of the working day, a bomb completely destroyed the building. Mirta survived the catastrophe and left the AMIA to reinvent herself at work with her own artistic work. She got engaged and decided a new course, uncertain, but true. There she began his construction work for another life.
Script
Mirta Regina Satz worked as chief of treasury of AMIA (Mutual Association Israelita Argentina), interspersing her love for art, until July 18, 1994. In the middle of the working day, a bomb completely destroyed the building. Mirta survived the catastrophe and left the AMIA to reinvent herself at work with her own artistic work. She got engaged and decided a new course, uncertain, but true. There she began his construction work for another life.
Director
Mirta Regina Satz worked as chief of treasury of AMIA (Mutual Association Israelita Argentina), interspersing her love for art, until July 18, 1994. In the middle of the working day, a bomb completely destroyed the building. Mirta survived the catastrophe and left the AMIA to reinvent herself at work with her own artistic work. She got engaged and decided a new course, uncertain, but true. There she began his construction work for another life.
Director
Los integrantes del Grupo de Teatro Catalinas Sur se preparan para presentar su ya clásico espectáculo Venimos de muy lejos en la plaza del barrio. De pronto, el límite entre el documental y la ficción se borra, pasado y presente se encuentran y, entre recuerdos, canciones, títeres y vestuarios de época emergen las historias de italianos, gallegos y judíos que unen al menos tres generaciones marcadas por la migración y unidas a través del tiempo por su carácter emprendedor, solidario y comunitario. The members of the Catalinas Sur Theater Group prepare to present their now classic show We Come From Far Away in the neighborhood square. Suddenly, the boundary between documentary and fiction is erased, past and present meet and, among memories, songs, puppets and period costumes, the stories of Italians, Galicians and Jews emerge, uniting at least three generations marked by migration. and united over time by their entrepreneurial, supportive and community character.
