Count Basie

In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.

‘Lady Day’ was one of the greatest jazz vocalists the world ever heard. In 1971, journalist Linda Lipnack Kuehl set out to write the definitive biography of Billie Holiday. Before her mysterious death in 1978, Lipnack Kuehl had taped over 200 hours of interviews. The tapes have never been heard. Now they form the basis of an atmospheric, multi-layered documentary that captures the many complex facets of a proud black woman, violent drug addict, loyal friend, vindictive lover and unforgettable singer of ‘God Bless The Child’, ‘Saddest Tale’ and the haunting ‘Strange Fruit’.

Told in Count Basie's own words, this biography sheds light on both the professional and the private life of the world-famous bandleader and pianist who became a jazz icon for his generation.

Explora nuevos aspectos de la vida de Judy Garland 50 años después de su trágica muerte, mezclando el material de su productor, mánager y tercer marido,Sid Luft, con archivos de vídeo, conciertos y las propias e inimitables palabras de Judy.

Originally broadcast on CBS April 11, 1976, under the title THE ORIGINAL ROMPIN' STOMPIN' HOT AND HEAVY, COOL AND GROOVE ALL-STAR JAZZ SHOW, this concert ran as part of the "Lively Arts for Young People" series. As staged at the Ed Sullivan Theater and directed by Gary Keys, it features performances by a who's-who of jazz legends who were still active at the time, including Lionel Hampton, Count Basie, Dizzy Gillespie and Stan Getz. In the process, Keys also uses such elements as narration by host Dionne Warwick, and dance performances, to follow the evolution of jazz from classic American spirituals through the styles that became en vogue in the 1970s.

During a decade rife with paranoia, in the middle of the McCarthy era, Music Inn was a bold experiment. Halfway between the Second World War and The Civil Rights Movement, Phil and Stephanie Barber created an oasis in the Berkshire Hills in Western Massachusetts where aspiring musicians came to learn from the very best. Students and faculty, young and old, rich and poor, white, black, and brown convened together and learned from each other. Defying the surrounding environment, Music Inn harbored a racial and cultural harmony where music was all that mattered.

The concert captured on William "Count" Basie's entry in the "must-own" audio/video Jazz Icons series comes from the vaults of Swedish Television. Modern eyes and ears are whisked to April 24, 1962, with Basie conducting his Atomic-era orchestra.

Improvisational jazz performance filmed in 1950 by Gjon Mili plus Duke Ellington Trio filmed in July 1966, Count Basie at the Montreux Jazz Festival 1977, Joe Pass 1979, Ella Fitzgerald 1979, and Oscar Peterson at the Montreux Jazz Festival 1977.

Director — and piano player — Clint Eastwood explores his life-long passion for piano blues, using a treasure trove of rare historical footage in addition to interviews and performances by such living legends as Pinetop Perkins and Jay McShann, as well as Dave Brubeck and Marcia Ball.

New York in the Fifties is the story of a unique time and place, when New York was the hotbed of new artistic expressions, free love, drinking, hot jazz, and radical politics. The film combines stunning archival footage of New York with interviews and footage of icons of the day-Kerouac, Ginsberg, Baldwin, Mailer, Basie, etc. Offering modern day perspective and reminiscences are writers, actors, and artists such as Joan Didion, Robert Redford, Nat Hentoff, Gay and Nan Talese, John Gregory Dunne, William F. Buckley, and Calvin Trillin-all part of the rich cultural and artistic scene of the time. Based on the best-selling book by Dan Wakefield, the film also traces Wakefield's restless rebellion in conformist Indianapolis, and his escape to New York with dreams of writin ga novel, falling in love, meeting like-minded souls and questioning the meaning of life.

Blues as a genre shaped the sound of jazz in the early 20th century and directly led to the creation of rock 'n' roll in the '50s. The scales, chords, and progressions of blues as a musical form can be found in styles from jazz to rock to contemporary R&B.

Though it was taped 16 years after the first A Man And His Music special, this final installment continues to uphold the high standards of the series, thanks in no small part to the accompaniment of the legendary Count Basie and his orchestra.

Jazz legend Count Basie and His Orchestra performs a concert at New York's Carnegie Hall, with guests Sarah Vaughn, Tony Bennett and George Benson.

Documentary film detailing the history of Kansas City jazz.

The two musical masters swing out.

El avaricioso gobernador Lepetomane y su malvado ayudante Hedley Lamarr quieren que los habitantes de Rock Ridge abandonen la ciudad, para vender los terrenos a una compañía de ferrocarril. Para facilitar sus maquiavélicos planes, nombran sheriff a Bart, un negro condenado a la horca, para que fomente el desorden y la anarquía en la ciudad.

The Rat Pack -- Frank Sinatra, Sammy Davis, Jr., and Dean Martin -- in their only joint television performance. This special was televised via closed-circuit from St. Louis to a select group of theaters, where ticket buyers watched the live performance on screen. The concert was organized by Sinatra as a fundraiser for Dismas Clark Half-Way House of St. Louis, the first halfway house for ex-convicts.

Lelo (Jerry Lewis) es un joven honesto y trabajador maltratado por su malvada madrastra (Judith Anderson) y sus dos groseros hermanastros (Henry Silva y Robert Hutton). Pero un día, un hechizo mágico cambiará todo...

Rhythm and Blues Revue is a plotless variety show, one of several compiled for theatrical exhibition from the made-for-television short films produced by Snader and Studio Telescriptions, with newly-filmed host segments by Willie Bryant. Originally 86 minutes, the "short" version available on public domain collections and websites is missing a reel

Short film featuring performances by Frank "Sugar Chile" Robinson, Billie Holiday and Count Basie and his sextet. From the Cinema Apart Collection.

Count Basie and His Orchestra playing us a boogie.

An all-Black comedy and dance revue with stars of stage and screen.

Ole Olsen and Chic Johnson are Broadway stars who return to Universal Studios to make another movie. The mere mention of Olsen and Johnson's names evacuates the studio and terrorizes the management and personnel. Undaunted, the comedians hire an assistant director and unknown talent, and set out to make their own movie.

El hijo de un oficial de la Marina se pone al frente de la familia, dirige el esfuerzo bélico y monta un espectáculo musical para elevar la moral de los trabajadores.

Segunda Guerra Mundial (1939-1945). Dakota (Terry), un soldado que está de permiso en Nueva York, visita la famosa Stage Door Canteen (título original del film), un local de Broadway donde célebres artistas entretenían a los soldados que volvían del frente. Dakota y sus amigos, Tex (Sunset Carson) y California (Lon McAllister), caen rendidos ante los encantos de Eileen (Cheryl Walker), Jean (Marjorie Riordan) y Ella Sue (Margaret Early). Artistas del calibre de Katharine Hepburn, Merle Oberon, George Raft, Johnny Weismuller, Ralph Bellamy o Harpo Marx llenan el local, en el que actúan las bandas de Xavier Cugat, Count Basie y Benny Goodman.

Count Basie does a little rhyming rapping before going into this Benny Goodman instrumental composition. While he's playing, plenty of couples are jitterbugging constantly until, one by one, they get tired and start to fall down on the floor.

Count Basie Orchestra's "Take Me Back, Baby".

Crime comedy.