Peter Treherne

Peter Treherne

Historia

Peter Treherne is a moving image artist working in the South East of England. His work explores the impact of the environment, particularly weather, on agricultural and creative labour. His work is distributed by the Canadian Filmmakers Distribution Centre and Kinoscope, and has been funded by Arts Council England. He holds a master’s degree in Film Aesthetics from the University of Oxford. Peter is also director of the Slow Film Festival, an organisation dedicated to sharing moving image art with rural audiences. The organisation has collaborated with the British Council and MUBI to exhibit work from artists including James Benning, Ben Rivers, Babette Mangolte, Jessica Sarah Rinland and Kevin Jerome Everson.

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Peter Treherne

Películas

Atmospheric Pressure
Atmospheric Pressure
Sound Mixer
Cows enter a milking parlour in the early morning. As their milk is sucked away, a cataclysmic storm builds on the horizon. Under the onslaught of wind and rain, summer disappears. A meteorologist investigates the bizarre shift in the weather. He follows his equipment through the dark and wintry landscape and arrives at the farm where the cows were milked, but nothing remains of the animals. He begins a more precise investigation, but the results are inconclusive. In such miserable and remorseless weather, how can he measure reality?
Atmospheric Pressure
Atmospheric Pressure
Sound Designer
Cows enter a milking parlour in the early morning. As their milk is sucked away, a cataclysmic storm builds on the horizon. Under the onslaught of wind and rain, summer disappears. A meteorologist investigates the bizarre shift in the weather. He follows his equipment through the dark and wintry landscape and arrives at the farm where the cows were milked, but nothing remains of the animals. He begins a more precise investigation, but the results are inconclusive. In such miserable and remorseless weather, how can he measure reality?
Atmospheric Pressure
Atmospheric Pressure
Producer
Cows enter a milking parlour in the early morning. As their milk is sucked away, a cataclysmic storm builds on the horizon. Under the onslaught of wind and rain, summer disappears. A meteorologist investigates the bizarre shift in the weather. He follows his equipment through the dark and wintry landscape and arrives at the farm where the cows were milked, but nothing remains of the animals. He begins a more precise investigation, but the results are inconclusive. In such miserable and remorseless weather, how can he measure reality?
Atmospheric Pressure
Atmospheric Pressure
Editor
Cows enter a milking parlour in the early morning. As their milk is sucked away, a cataclysmic storm builds on the horizon. Under the onslaught of wind and rain, summer disappears. A meteorologist investigates the bizarre shift in the weather. He follows his equipment through the dark and wintry landscape and arrives at the farm where the cows were milked, but nothing remains of the animals. He begins a more precise investigation, but the results are inconclusive. In such miserable and remorseless weather, how can he measure reality?
Atmospheric Pressure
Atmospheric Pressure
Cinematography
Cows enter a milking parlour in the early morning. As their milk is sucked away, a cataclysmic storm builds on the horizon. Under the onslaught of wind and rain, summer disappears. A meteorologist investigates the bizarre shift in the weather. He follows his equipment through the dark and wintry landscape and arrives at the farm where the cows were milked, but nothing remains of the animals. He begins a more precise investigation, but the results are inconclusive. In such miserable and remorseless weather, how can he measure reality?
Atmospheric Pressure
Atmospheric Pressure
Director
Cows enter a milking parlour in the early morning. As their milk is sucked away, a cataclysmic storm builds on the horizon. Under the onslaught of wind and rain, summer disappears. A meteorologist investigates the bizarre shift in the weather. He follows his equipment through the dark and wintry landscape and arrives at the farm where the cows were milked, but nothing remains of the animals. He begins a more precise investigation, but the results are inconclusive. In such miserable and remorseless weather, how can he measure reality?
The Names of Things
The Names of Things
Director
A bed-bound woman's year passes as a day: her time is no longer measured by the increments of a clock but by the quality of weather outside her window. Objects emerge and merge in the gloom; the old woman dissolves and reforms. Her muteness, her glaucomas and her inactivity render things indeterminate. By naming objects, animal and phenomena we reduce and delineate them, and so separate ourselves from the world around us. Shot at ISO 409,000 the image is granulated by pixelation and noise and any discreteness an object or thing might possess is confused by the digital processes of the camera.
A Sentimental Piece in High ISO
A Sentimental Piece in High ISO
Director
Over the course of five minutes condensation on a camera lens evaporates revealing a nostalgic image within the pixelations of the digital camera. The lens was refrigerated for an hour before filming beside a lit stove. As the lens heats up, the condensation steadily disperses. The camera was set to record at 409600 ISO.