Kelly Miller

Kelly Miller

Perfil

Kelly Miller

Películas

Touchscreen
Producer
After an unusual online encounter, a lonely man is challenged to step out from behind his computer screen and shatter long-lived inhibitions to claim the touch of another human being.
Touchscreen
Screenplay
After an unusual online encounter, a lonely man is challenged to step out from behind his computer screen and shatter long-lived inhibitions to claim the touch of another human being.
Touchscreen
Brian
After an unusual online encounter, a lonely man is challenged to step out from behind his computer screen and shatter long-lived inhibitions to claim the touch of another human being.
Vida privada
Dr. Russell
Una pareja, con problemas de fertilidad, lucha por salvar su matrimonio mientras sortea los obstáculos de la reproducción asistida y la adopción.
Los archivos del Pentágono
Copy Editor
En junio de 1971, los principales periódicos de EE.UU., entre los que se encontraban 'The New York Times' y 'The Washington Post', tomaron una valiente posición en favor de la libertad de expresión, informando sobre los documentos del Pentágono y el encubrimiento masivo de secretos por parte del gobierno, que había durado cuatro décadas y cuatro presidencias estadounidenses. En ese momento, Katherine Graham, primera mujer editora del Post, y el director Ben Bradlee intentaban relanzar un periódico en decadencia. Juntos decidieron tomar la audaz decisión de apoyar al 'The New York Times' y luchar contra el intento de la Administración Nixon de restringir la primera enmienda. Historia basada en los documentos del Post que recogían información clasificada sobre la Guerra de Vietnam.
Boys On Film 2: In Too Deep
Roger (segment "Futures (and Derivatives)")
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 2: In Too Deep contains nine complete films: Till Kleinert's "Cowboy" starring Oliver Scherz and Pit Bukowski; Håkon Liu's "Lucky Blue" starring Tobias Bengtsson and Tom Lofterud; Matthieu Salmon's "Weekend In The Countryside" starring Théo Frilet, Pierre Moure, and Jean-Claude Dumas; Soman Chainani's "Kali Ma" starring Kamini Khanna, Brendan Bradley, and Manish Dayal; Julián Hernández's "Bramadero" starring Cristhian Rodríguez and Sergio Almazán; Craig Boreham's "Love Bite" starring Will Field and Aidan Calabria; "The Island" featuring director Trevor Anderson ; Arthur Halpern's "Futures (and Derivatives)" starring Kelly Miller, Cam Kornman, and Bill Barnett; and Tim Hunter's "Working It Out" starring Simon Kearney, Paul Ross, and Glaston Toft.
Futures (and Derivatives)
Roger
To impress a disenchanted client, a desperate lawyer hires an unproven temp to create a winning presentation -- overnight. But the surprise results impact more than just the deal at hand.
The Great Pretenders
Scott Matter
A biting satire from the front lines of the American workplace, where layoffs are so routine they've created their own industry - outplacement. Elite Transition Services promises laid-off worker Scott Matter help finding a job and getting back on his feet. But as the job search grows increasingly desperate, Scott finds himself caught in a corporate purgatory where the absurdities of office life are brought into vivid relief.
The Coldest Winter
Capt. Jackson
The Coldest Winter is a WWII Battle of the Bulge story that tells the tale of an American Soldier, and a German soldier, both left for dead, who awaken on the battlefield only to find themselves fighting for survival against their wounds, the weather and each other. A second storyline follows a naïve, frightened, Captain, sent out to track down missing intelligence with a newly demoted Sergeant turned Private from the Black Army, and a battle-hardened and battle-hungry Sergeant. Constant in-fighting, racism, and power struggles ensue when the troops get lost in the Ardennes forest.
New Guy
Gregg
Gregg's first day at his new job starts off strangely, as he discovers his cubicle is covered in a sea of Post-Its left behind by his predecessor, who he soon discovers did not leave on amicable terms. His co-workers don't seem quite normal either, standing aimlessly or endlessly chatting nonsense on the phone or gossiping by the coffee machine. Grown men cry in this office and as Gregg tries to stay on top of his new job, fighting a toy car that runs around the office, arguing with a janitor, and trying, repeatedly, to send out an all important fax; things gradually go from bad to worse in this corporate wasteland. As day turns into night, Gregg begins to realize this is no ordinary workplace. It can be very lethal...