With this film we tell the story of police tipster Polka Dots Liu, badge 369 but often jokingly called the Supremo. He entertains most of the times. Once, he brandishes a gun at a casino to stress a point. He wins the point and some credit, too. And he tries to chat up the barber's wife under the man's very razor. The barber gladly runs him out of town. The he pumps into a robbery and captures the robber by mistake. That's what he does when he gets his badge...
Rebels try use the smuggling route to get the gold and map past the corrupt officials. Everybody was kung fu fighting.
Japanese invaders in manchuria are sent packing by Jason Pai Piao, Tommy Lo Chun and the 8th degree black belt Mad Korean Kwon Young Moon, excellent fights in this great production from Yangze films.
Liu Lu-mei
Chor Yuen was Gu Long before he started filming Gu Long. The director's first wuxia film, made at Shaws' rival Cathay, finds him relishing in a mode of expression that would later become the signature style of the 'martial-arts suspense thriller' mini-genre. Chor grafts the quasi-psychological stylishness of his Cantonese melodrama onto this actioner, laying on thick the atmosphere by dialling up the fog machine and unleashing the colours from his camera's palette. He also stages his fights in modern dance-like choreography, with moves that are more graceful than ferocious and paused poses that are longer on expressive narcissism than continuity of action. Cold Blade is the quiet beginning of an aesthetic.
