Valter Uusberg

Kiik, a young car mechanic stuck between the gears of life, finds out that his girlfriend's heart has been won over by a new handsome man. To get rid of the pain in his soul, Kiik asks his filmmaker best friend to join the adventure, with the destination to cut down the tree of eternal love. The journey to the mystical tree becomes thorny, intriguing and criminal.

The development of nature is controlled by the genetic chain. Life goes on as the information code is stored in the gene chain. Every living being tries to indulge and laze. Unfortunately, development doesn't happen this way. The gene chain only rusts. Progress will only be made if there is an urgent need for it. The protagonist's rusty gene chain only starts working when the fear of death arises. What code is hidden in the human gene chain becomes clear during development. Mankind has debated the meaning of life for a long time, not knowing that it has long been found. What everyone is striving for is collectively creating strange patterns. After that, we become the starting point of a new gene chain again.

Plucky young Lotte embarks on an adventure with her uncle Klaus to solve the mystery of three stones that a pair of hooded figures are attempting to retrieve.

A confrontation of two worlds-- Two rooms, one of which is full of light and colors, the other a monotonous gray.

Rein Raamat’s Hell adapts the engravings of Estonian graphic artist Eduard Wiiralt into a surreal, grotesque, and heavily sexual animated short. Wiiralt’s three source works, “The Preacher,” “Cabaret,” and “Hell,” date back to the early 1930s and portray a cacophony of bacchanalia, hysteria, and violence in the final years of Estonian independence amid the unrest of the Great Depression and European instability.

Heik Ernitsa's directorial debut "Encounter" is a humorous story about dreams and reality. "Street" by Valter Uusberg paints a nervous and gloomy picture of the artificial environment of the city. Mati Küti's satirical "Monument" dissects egocentrism in a grotesque tone.

Heik Ernitsa's directorial debut "Encounter" is a humorous story about dreams and reality. "Street" by Valter Uusberg paints a nervous and gloomy picture of the artificial environment of the city. Mati Küti's satirical "Monument" dissects egocentrism in a grotesque tone.

Based on an Estonian folk tale about of the gigantic hero, Tõll, who lived on the island of Saaremaa (Oesel) in the Baltic Sea. Though he was king of the island, Tõll often worked as a common farmer, tending to his crops and returning to his loving wife. He was a good king, often quick to anger but always kind and willing to help his fellow man. Tõll's greatest enemy is the god of the underworld who specializes in sly, cowardly mischief. When war comes to the island, Tõll arrives to aid his dying army, but the devil takes advantage of his absence to wreak havoc on Tõll's home.