Zdenka Karlovská

The Ronov castle has been changed into a hotel, offering stylish facilities to its guests: weddings in the torture chamber, a Black Lancer kidnapping brides, a night's lodging in a family tomb etc. The reformed petty swindler Felix Pacínek (Bohumil Smída) runs the hotel. The business is far from thriving; the place is half-empty, and the jazz band Skeleton, together with their singer Zuzanka (Jaroslava Obermaierová), decide to leave. Nobody in the hotel has any idea that the band is in fact a gang of thieves who have just robbed the Prague State Bank, taking two million crowns from its vaults.

Un hombre se casa con una mujer, y ésta le es infiel. El hombre, por venganza, la asesina, siendo condenado a muerte... Aclamada película checa por su innovador sistema narrativo: todo el film está rodado al revés, comenzando por final y terminando con el principio, e incluso los diálogos están pronunciados a la inversa.

At the Ronov castle, the archive-keeper professor Nykl (Milos Nedbal) is searching for the lost painting The Naked Shepherdess by the famous Fragonard. Nykl is just about to disassemble the mantelpiece in the knight's hall, convinced that the painting must be hidden somewhere inside. His efforts, however, meet the strong disapproval of the castle manager, Anna Juzová (Jirina Petrovická), who knows very well where The Naked Shepherdess is. She wants to get hold of the painting herself, to emigrate and smuggle it along. In fact, Anna deals with forgeries of the most distinguished old masters, selling them abroad. The copies are made for her by the painter and restorer Maudr (Martin Ruzek) and the certificates of authenticity are issued by Anna's companion - expert Laburda (Karel Höger). One day, Anna is found murdered in front of the castle's fireplace.

Ivan Passer’s film concerns the dreams of two musician friends, one of whom, having left their small hometown to become successful, returns to visit the other who stayed behind to become a local music teacher.

A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.

Several parties—a prostitute, aging football players, working girls, two men playing pool, and a hedonistic young man—each coalesce in a tavern.

Oliva, un viejo cuentacuentos, cuenta a los niños del profesor Robert la historia de un antiguo amor y su gata mágica que vestía gafas de sol. Al quitarse las gafas, la gata dejaba al descubierto la personalidad de las personas al verse reflejados en diferentes colores. Un día llega un carruaje al pueblo. En el viajan un mago, la bella Diana y la gata mágica. (FILMAFFINITY)