Jevgenijs Načiss

After hearing many success stories about direct sales companies, Roberts decides to try his luck in selling vacuum cleaners door to door. On the first work day he finds out about the possible bonus in case of at least 2 successfully closed sales deals. At a glance the task seems quite easy. Once Robert faces the reality in a block of flats and encounters its peculiar inhabitants, the task no longer seems to be so simple.

Ieva has been an obedient granddaughter for years – choosing a safe career in a bank as her grandmother wanted. Her mother left the family years ago when she had to look for work abroad. That has made ties between Ieva and her grandmother especially tight. Dissatisfaction with the constant adaption to the material world is flickering under the surface and Ieva lives her dreamlife with her friends. She plays the keyboard in a girl band and stays out late. When Ieva decides to have a provocative tattoo on her arm made, her grandmother goes completely nuts.

Katrīna is a typical city dweller who has lived in Mangaļsala all her life, but she has a less than typical passion. On one hand, Katrīna is a rational, young and well-educated professional, but on the other – an irresponsible child of nature, who keeps a dog, two cats and two horses in her limited urban space.

Despite a Covid-19 lockdown in Riga, an illegal party is taking place at a loft. This party is secretly being watched through the window of the opposite house. When the observer is noticed by one of the party-goers, events take an unexpected turn.

In one long take lasting nearly an hour and a half, three well-known Latvian actors re-stage scenes from renowned Soviet Latvian movies made under the Riga Film Studio. As they progress from film to film, their re-enactments lead them to discover the undeniably funny personalities and unbelievable circumstances under which these films were made. Blending documentary, theatre and fiction film, this is a comedy about the cinema and the actor, and a heartfelt homage to the Riga Film Studio.

A documentary that chronicles twin brothers searching for their absent father in faraway Russia. Having very few leads, the twin brothers – different in character and interests – are also looking for the ties that have never bound them as closely as they would have liked.

Project: Moving sees a young professional explore and debate the trend of young people leaving Rīga for somewhere more suitable for living, particularly the town of Cēsis in the scenic Vidzeme region. "We are simply showing that right now Cēsis has become the hipster capital, and it's not bad at all. It's like a different kind of gentrification, and it affects not just a single quarter, but the entire town."

A tragicomic tale about the relationship of Guna and the twice older writer Gints. Guna has lost her job, but Gints hasn’t written anything in years. Whilst running away from an unsatisfactory relationship and the lack of creative self-expression, Guna gets obsessed with the theatre performance “Odyssey” by the famous director Viestur Kairish and begins to mix reality with theatre. Guna tries to start a new life, but her fantasy world doesn’t allow her to be a part of reality anymore.

Elina Maligina’s film soulcash gives an insight into emotionally charged and climactic, but brief moment in the life of a woman who is going through menopause. The story is about the purification through psychological change that happens at this point rather than the physiological one.

A film about a man who lives a parallel life to Soviet reality, and is both consciously and subconsciously a prickly and partially misunderstood citizen. He is poet Knuts Skujenieks, an exceptional personality not only in Latvia, but also within an international context, whose difficult struggle with the totalitarian regime reflects the true value of selfless work and unbending stance. The story, with its undercurrent of true humanity, allows a glimpse through Knuts Skujenieks’ life onto each of our fates.

A film about a man who lives a parallel life to Soviet reality, and is both consciously and subconsciously a prickly and partially misunderstood citizen. He is poet Knuts Skujenieks, an exceptional personality not only in Latvia, but also within an international context, whose difficult struggle with the totalitarian regime reflects the true value of selfless work and unbending stance. The story, with its undercurrent of true humanity, allows a glimpse through Knuts Skujenieks’ life onto each of our fates.

After falling out with his girlfriend, Pauls, an employee of an advertising firm, starts spying on Sandra, a woman who lives across the street. As Pauls’ obsession with Sandra deepens, he becomes a witness to her murder.

Maija is a young and ambitious journalist who wants to do something that no other journalist has dared. In order to conduct a groundbreaking research on Daesh, she pretends to be an Islamic convert and tries to join them.

Maija is a young and ambitious journalist who wants to do something that no other journalist has dared. In order to conduct a groundbreaking research on Daesh, she pretends to be an Islamic convert and tries to join them.

In this film a young man and his curmudgeonly grandfather are going 1,800 km to northern Russia in an old Zhiguli car, hoping to find the grave of their great-grandfather, who was deported. The grandfather Andris is sceptic over the lofty quest, initiated by his grand-son, as it’s not known what awaits them at their destination. Andris thinks they won’t find anything and will come back to Latvia without ever learning what happened to his father. However ever-optimistic Kārlis wants to use the journey not only to find answers about the past but also become closer to his grandfather who raised him. They both lost their parents as children.

A city, a man, a woman. This time it's glittering Zurich. The protagonists: Karl and Lisa. They fall in love. The usual. But Karl is a so-called 'loser'. Does drugs, borrows money and is in debt everywhere. Responsibility is alien to him. He lives day to day, detests relationships and he's heading straight for the abyss. Finally, when he loses Lisa, too, he has a major breakdown and finally begins to fight for both her and himself. Lisa is disappointed by Karl's way of life, even though she isn't a shining example of responsibility herself. Both are running from reality. And what was that about 'devotion', 'freedom' and 'trust'? This is a film about love. Not the conquering-all kind but real love. With all its weaknesses, its volatility, and its egoism.