Zeng Jinyan

Shot over an eight-year period (2007-2015), this documentary film aims to present women’s struggle in the private and public spheres, both in China and Hong Kong. It offers a view into the lives of female factory workers, artists, rights activists, and intellectuals – whom deal with political violence, sexual harassment, online bullying, long-term separation from family, arbitrary treatment by transnational factory management, and/or poverty in their home villages.

Shot over an eight-year period (2007-2015), this documentary film aims to present women’s struggle in the private and public spheres, both in China and Hong Kong. It offers a view into the lives of female factory workers, artists, rights activists, and intellectuals – whom deal with political violence, sexual harassment, online bullying, long-term separation from family, arbitrary treatment by transnational factory management, and/or poverty in their home villages.

Shot over an eight-year period (2007-2015), this documentary film aims to present women’s struggle in the private and public spheres, both in China and Hong Kong. It offers a view into the lives of female factory workers, artists, rights activists, and intellectuals – whom deal with political violence, sexual harassment, online bullying, long-term separation from family, arbitrary treatment by transnational factory management, and/or poverty in their home villages.

Shot over an eight-year period (2007-2015), this documentary film aims to present women’s struggle in the private and public spheres, both in China and Hong Kong. It offers a view into the lives of female factory workers, artists, rights activists, and intellectuals – whom deal with political violence, sexual harassment, online bullying, long-term separation from family, arbitrary treatment by transnational factory management, and/or poverty in their home villages.

Between 2009 and 2015, Wen Hai followed the lives of workers and worker activists in southern China, the world’s factory. His astonishing film gives nameless workers a face, shows their vital sense of justice and resistance to owners who are only interested in profits – and how they escape the role of victim.

Between 2009 and 2015, Wen Hai followed the lives of workers and worker activists in southern China, the world’s factory. His astonishing film gives nameless workers a face, shows their vital sense of justice and resistance to owners who are only interested in profits – and how they escape the role of victim.

Between 2009 and 2015, Wen Hai followed the lives of workers and worker activists in southern China, the world’s factory. His astonishing film gives nameless workers a face, shows their vital sense of justice and resistance to owners who are only interested in profits – and how they escape the role of victim.

Civil rights activist Hu Jia was held under house arrest from 2004 to 2008 in the upscale eastern suburbs of Beijing. One day Hu picked up a video camera and began to document things outside the window: his watchers, shepherds tending their flocks, spiders in the rain, and his fellow activist and wife, Zeng Jinyan, going to and from work under the unnervingly close watch of plainclothes police.

Civil rights activist Hu Jia was held under house arrest from 2004 to 2008 in the upscale eastern suburbs of Beijing. One day Hu picked up a video camera and began to document things outside the window: his watchers, shepherds tending their flocks, spiders in the rain, and his fellow activist and wife, Zeng Jinyan, going to and from work under the unnervingly close watch of plainclothes police.

Civil rights activist Hu Jia was held under house arrest from 2004 to 2008 in the upscale eastern suburbs of Beijing. One day Hu picked up a video camera and began to document things outside the window: his watchers, shepherds tending their flocks, spiders in the rain, and his fellow activist and wife, Zeng Jinyan, going to and from work under the unnervingly close watch of plainclothes police.