Nina Gladitz

PelĂ­culas

Leni Riefenstahl - The End of a Myth
Self - Interviewee
Countless people around the world know the pictures from Leni Riefenstahl's films, even if they have not seen them in their entirety. The work of the German director has burned itself into the collective memory. Even decades after the end of the Nazi era, she showed no remorse and presented herself as an apolitical, naive follower of the Nazi criminal regime. Her artistic service for the cinema was always recognized. But book author Nina Gladitz shows after decades of research that Hitler's favorite filmmaker was not only a follower, but also a perpetrator during the Third Reich, who instrumentalized other filmmakers such as the brilliant cinematographer Willy Zielke in order to gain fame for herself.
Land der Bitterkeit und des Stolzes
Producer
Land der Bitterkeit und des Stolzes
Director
Land der Bitterkeit und des Stolzes
Writer
Time of Darkness and Silence
Editor
Examines the use of Sinti in the making of "Tiefland". Gladitz claims that Riefenstahl knew that they would be sent to Auschwitz.
Time of Darkness and Silence
Writer
Examines the use of Sinti in the making of "Tiefland". Gladitz claims that Riefenstahl knew that they would be sent to Auschwitz.
Time of Darkness and Silence
Cinematography
Examines the use of Sinti in the making of "Tiefland". Gladitz claims that Riefenstahl knew that they would be sent to Auschwitz.
Time of Darkness and Silence
Director
Examines the use of Sinti in the making of "Tiefland". Gladitz claims that Riefenstahl knew that they would be sent to Auschwitz.