Writer
An ambitious young female lawyer meets a former lover while investigating a sexual harassment case aboard a US Navy support ship that turns into a murder case when the victim is discovered dead.
Writer
Cinco delincuentes juveniles son liberados de la cárcel y enviados a un entrenamiento de supervivencia en la naturaleza. (FILMAFFINITY)
Screenplay
Set in rural Nebraska following the First World War, six veterans on motorcycles ride into the sleepy little town of Bingo. The locals are friendly until one of the vets beats a local kid in a drag race, after which the six are driven out of town. After coming upon a small farm, the fugitives are allowed to hide out by the two sisters who run the place. Things go smoothly until one of the vets, after smoking the locoweed growing nearby, tries to rape one of the hosts. Being part Native American, her sister decides to get revenge by casting a hex that steadily does in each of the unwelcome guests.
Director
Set in rural Nebraska following the First World War, six veterans on motorcycles ride into the sleepy little town of Bingo. The locals are friendly until one of the vets beats a local kid in a drag race, after which the six are driven out of town. After coming upon a small farm, the fugitives are allowed to hide out by the two sisters who run the place. Things go smoothly until one of the vets, after smoking the locoweed growing nearby, tries to rape one of the hosts. Being part Native American, her sister decides to get revenge by casting a hex that steadily does in each of the unwelcome guests.
Associate Producer
Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.
