Alaa Awad

Películas

The Night of the Carnival
Spanning one day, the film takes place in a “Muled” (An Islamic saint's day celebration), following the curious and intertwined stories of a variety of different characters living nearby, working invisiting the Muled.
The Asphalt Kings
A raucous and amazingly irreverent look at contemporary Cairo, THE ASPHALT KING centers on Sayed, a swaggering cabdriver and (to his mind) born womanizer. Embroiled in a torrid affair with a buxom neighbor, Sayed pays his best friend Ringo to keep the neighbor's barber husband busy -- but the husband, as well as Ringo, Sayed's mother, father, sister and grandfather, have their own amorous intrigues brewing. Director Oussama Fawzi has been hailed as the brightest young director to have recently emerged in Egyptian cinema.
Ladies' Threshold
(Suheir Fadel) an Obstetrics and Gynecology Doctor is unable to have kids from her Husband (Hazem Kharbash) after many years of marriage. Her husband Hazem goes for some medical tests to find that he is incapable of procreation and his wife is perfectly healthy, and he lies to her to maintain their marital life.
Mr. Karate
Salah moves to Cairo to work as a guard in a garage and falls in love with Nadia, who works at a video store. He is obsessed with the films she has at her store and decides to learn karate.
Al Mouled
The child (Barakat) from his mother gets lost in the crowd of the birth, to be kidnapped by the seller (Ali al-Araj) and taken to his home and called (Ibrahim), to grow up in an environment of all criminality, and involved working with a smuggling gang, and travel with them to Greece to carry out an operation, to change his life .
An Egyptian Story
After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.