Nataša Urban

With the solar eclipse in 1999 as her mirror image, an exiled film artist turns her analogue film camera on her family in ex-Yugoslavia in a work that maps how a dark past remains embedded in the present.

With the solar eclipse in 1999 as her mirror image, an exiled film artist turns her analogue film camera on her family in ex-Yugoslavia in a work that maps how a dark past remains embedded in the present.

With the solar eclipse in 1999 as her mirror image, an exiled film artist turns her analogue film camera on her family in ex-Yugoslavia in a work that maps how a dark past remains embedded in the present.

With the solar eclipse in 1999 as her mirror image, an exiled film artist turns her analogue film camera on her family in ex-Yugoslavia in a work that maps how a dark past remains embedded in the present.

The last remaining all-male orchestra in Norway, Kampen Janitsjar, has an average age of 60, and is in desperate need of new members to keep their legacy alive. But with a lack of sufficient young male musicians, and quite a few women knocking at the membership door of this popular orchestra, the leaders are forced to take a long, hard look at the price of maintaining old traditions.

The last remaining all-male orchestra in Norway, Kampen Janitsjar, has an average age of 60, and is in desperate need of new members to keep their legacy alive. But with a lack of sufficient young male musicians, and quite a few women knocking at the membership door of this popular orchestra, the leaders are forced to take a long, hard look at the price of maintaining old traditions.

One of six children today live in a war zone. This is a meeting with three of them, where they in simple terms describe their experiences of war and daily life. The film is set in Iraq, but could be set anywhere in the world.

One of six children today live in a war zone. This is a meeting with three of them, where they in simple terms describe their experiences of war and daily life. The film is set in Iraq, but could be set anywhere in the world.

In 2016, director Charlotte Røhder Tvedt sent out an open call for people all across Norway to document their world in the form of a film clip. More than 900 entries were submitted and from these contributions, Røhder Tvedt assembled a collage of beautiful everyday moments, personal confessions and kinetic bursts of dance and movement. As the film cycles through expressions of love, loneliness, joy and sorrow, patterns and connections appear and it becomes clear that Between Us is a film about how we relate to one another.

An intimate portrait of a group of very different suicide bombers working for Al Qaeda in Syria. From the Saudi who loves singing and fried chicken, to a 26-year-old white British convert who worries a lot about his new wife, this remarkable film embeds with an unlikely bunch of "martyrdom seekers", each waiting for their turn to go on a final mission, known by Jihadis as 'Dugma'.

"Drone" aborda los diferentes aspectos y actores implicados en la guerra encubierta de Estados Unidos en Pakistán, caso paradigmático del uso de drones con fines militares. Se trata de un mosaico de testimonios de primera mano, desde los jóvenes pilotos reclutados por el ejército en ferias de videojuego que cargan con el peso moral de implementar un programa de asesinato selectivo, hasta periodistas y activistas por los derechos humanos que se oponen al uso de esta tecnología.

Mbambu is a sixteen-year-old girl who lives at the foot of the Rwenzori Mountains in Uganda. She is also an actress, an aspiring mountain guide and hopes to be the first in her family to complete secondary school. These are significant ambitions for anyone; in Uganda, they are nearly unheard of for a young girl. If Mbambu becomes a guide in the Rwenzoris - an impressive accomplishment in its own right because the mountains reach to nearly 17,000 feet - she would break all sorts of cultural and societal barriers for women in West Uganda. As this film tells the story of a hopeful Bakonzo girl, it also examines a culture transitioning from harmful poaching practices into more sustainable livelihoods.

Mbambu is a sixteen-year-old girl who lives at the foot of the Rwenzori Mountains in Uganda. She is also an actress, an aspiring mountain guide and hopes to be the first in her family to complete secondary school. These are significant ambitions for anyone; in Uganda, they are nearly unheard of for a young girl. If Mbambu becomes a guide in the Rwenzoris - an impressive accomplishment in its own right because the mountains reach to nearly 17,000 feet - she would break all sorts of cultural and societal barriers for women in West Uganda. As this film tells the story of a hopeful Bakonzo girl, it also examines a culture transitioning from harmful poaching practices into more sustainable livelihoods.

Mbambu is a sixteen-year-old girl who lives at the foot of the Rwenzori Mountains in Uganda. She is also an actress, an aspiring mountain guide and hopes to be the first in her family to complete secondary school. These are significant ambitions for anyone; in Uganda, they are nearly unheard of for a young girl. If Mbambu becomes a guide in the Rwenzoris - an impressive accomplishment in its own right because the mountains reach to nearly 17,000 feet - she would break all sorts of cultural and societal barriers for women in West Uganda. As this film tells the story of a hopeful Bakonzo girl, it also examines a culture transitioning from harmful poaching practices into more sustainable livelihoods.

In 2005, Punam Tamang is nine, living in the Nepalese city of Bhaktapur. She lost her mother when she was five years old and since that time she has been the family caretaker to her small siblings while her father works from dawn till night. Punam tells us her story and she introduces us to her family, neighborhood, teachers, and friends. Four years later, life has changed for Punam, who is now thirteen. What she and her siblings had managed to avoid has now become an inevitability: in 2009, her narrative takes us to the local brick-making factory.

In 2005, Punam Tamang is nine, living in the Nepalese city of Bhaktapur. She lost her mother when she was five years old and since that time she has been the family caretaker to her small siblings while her father works from dawn till night. Punam tells us her story and she introduces us to her family, neighborhood, teachers, and friends. Four years later, life has changed for Punam, who is now thirteen. What she and her siblings had managed to avoid has now become an inevitability: in 2009, her narrative takes us to the local brick-making factory.

In 2005, Punam Tamang is nine, living in the Nepalese city of Bhaktapur. She lost her mother when she was five years old and since that time she has been the family caretaker to her small siblings while her father works from dawn till night. Punam tells us her story and she introduces us to her family, neighborhood, teachers, and friends. Four years later, life has changed for Punam, who is now thirteen. What she and her siblings had managed to avoid has now become an inevitability: in 2009, her narrative takes us to the local brick-making factory.

This is a story of a 17-year-old boy named Hari Rai, who lives in a small village in the Himalayan Mountains of Nepal, and his extraordinary journey. Hari is a student. However, he also works as a porter so that he could pay for his tuition and cover his living expenses. Although very young, he already has three years of experience carrying loads up and down the mountain, mostly tourists' backpacks. This time, he gets a job to carry a huge red refrigerator from the top of the mountain, to the nearest town. We follow Hari Rai on his journey through the fascinating Himalayan landscapes, we discover Hari’s inner life, his thoughts, hopes and dreams and we also get to know the culture and the local people’s way of life in this region.

This is a story of a 17-year-old boy named Hari Rai, who lives in a small village in the Himalayan Mountains of Nepal, and his extraordinary journey. Hari is a student. However, he also works as a porter so that he could pay for his tuition and cover his living expenses. Although very young, he already has three years of experience carrying loads up and down the mountain, mostly tourists' backpacks. This time, he gets a job to carry a huge red refrigerator from the top of the mountain, to the nearest town. We follow Hari Rai on his journey through the fascinating Himalayan landscapes, we discover Hari’s inner life, his thoughts, hopes and dreams and we also get to know the culture and the local people’s way of life in this region.

This is a story of a 17-year-old boy named Hari Rai, who lives in a small village in the Himalayan Mountains of Nepal, and his extraordinary journey. Hari is a student. However, he also works as a porter so that he could pay for his tuition and cover his living expenses. Although very young, he already has three years of experience carrying loads up and down the mountain, mostly tourists' backpacks. This time, he gets a job to carry a huge red refrigerator from the top of the mountain, to the nearest town. We follow Hari Rai on his journey through the fascinating Himalayan landscapes, we discover Hari’s inner life, his thoughts, hopes and dreams and we also get to know the culture and the local people’s way of life in this region.

This is a story of a 17-year-old boy named Hari Rai, who lives in a small village in the Himalayan Mountains of Nepal, and his extraordinary journey. Hari is a student. However, he also works as a porter so that he could pay for his tuition and cover his living expenses. Although very young, he already has three years of experience carrying loads up and down the mountain, mostly tourists' backpacks. This time, he gets a job to carry a huge red refrigerator from the top of the mountain, to the nearest town. We follow Hari Rai on his journey through the fascinating Himalayan landscapes, we discover Hari’s inner life, his thoughts, hopes and dreams and we also get to know the culture and the local people’s way of life in this region.

Nine-year-old Punam Tamang, lives in Bhaktapur, Nepal. She lost her mother when she was five years old and since that time she has been the family caretaker to her small siblings while her father works from dawn till night. Punam tells us her story and she introduces us to her family, neighborhood, teachers, and friends.

Nine-year-old Punam Tamang, lives in Bhaktapur, Nepal. She lost her mother when she was five years old and since that time she has been the family caretaker to her small siblings while her father works from dawn till night. Punam tells us her story and she introduces us to her family, neighborhood, teachers, and friends.

Nine-year-old Punam Tamang, lives in Bhaktapur, Nepal. She lost her mother when she was five years old and since that time she has been the family caretaker to her small siblings while her father works from dawn till night. Punam tells us her story and she introduces us to her family, neighborhood, teachers, and friends.

A documentary about a group of young women painters from Bihar, India, who use the ancient Mithila painting style to fight discrimination and patriarchy.