Michi's first encounter with Nobuyuki Ishida, secretary to the chairman of a private school, takes place in the drawing room, when she attempts to swindle him out of two million yen for alleged rape by his son. Akie (Kyoko Kishida), Ishida's wife and the chairman's daughter, offers her a million, but he gives her what she demands. Now Michi is not only satisfied, but she has a mad desire for Ishida and calls him every day asking for a date. His sympathy for her gradually evolves into love, and he soon allows her insatiable passion to strip him of his decency.
Aiko Hiraki
Dos fabricantes de automóviles se espían entre sí para tratar de averiguar los detalles y los precios de un nuevo automóvil deportivo que cada uno está a punto de lanzar.
¿Si es por el bien de la compañía y de nuestro coche, no hay nada malo en engañar, estafar, matar, o hacer cuanto queramos? ¿Quieres decir que deberíamos quedarnos de brazos cruzados y dejar que la compañía se arruine? ¿Qué es una compañía? ¿Qué es un secreto? ¿Son más importantes que las personas?
Woman at Shumpûrô
1957 drama from director Kôzaburô Yoshimura
Hayase, a schoolteacher, assists Sakai in editing a German-Japanese dictionary. Hayase owes much to Sakai, as Sakai raised him for 13 years after Hayase lost his parents in a war. Hayase has been secretly married to Otsuta, a former geisha, and has been unable to tell Sakai of the marriage, aware as he is that Sakai wants him to marry his daughter, Taeko. Otsuta wants Hayase to tell Sakai about her, but understands the difficulty of his position. At a festival, Otsuta is mistaken for a pickpocket and taken to the police. Because of her background as a geisha, newspaper reporters eagerly delve into her past and report that she has been married to Hayase. Unaware of what has been printed in the papers, Hayase decides to tell Sakai about his marriage. Sakai shows the newspaper to him and orders Hayase to part with Otsuta. Given no chance to explain, Hayase accepts Sakai's order.
Umemaru
Based on the original work of Akutagawa Prize-winning writer Ashihei Hino, the film depicts the love of the proud geisha Nobukichi Hakata in the early Taisho era.
