Stanislav Langer

Pavel, un joven estudiante que vive en Praga en 1942, decide esconder a Hanka, una chica judía que huye de las fuerzas alemanas, en el ático del edificio en el que vive. (FILMAFFINITY)

Czech comedy fantasy directed by Jiri Krejcik et al.

The title of this highly-regarded Czech drama translates as Wolf Trap. Set in the 1920s, the story revolves around an ambitious young provincial politician (Miroslav Dolozai) who enters into a marriage of convenience with a smotheringly possessive -- and much older -- woman (Jirina Sejbavola). Hoping to temporarily escape his overbearing wife's clutches, the husband strikes up a friendship with her young ward (Jana Brejchova). The relationship blossoms into a deep abiding love, but the jellyfish husband can't bring himself to declare his ardor to the girl. Even after the death of the wife, the husband hasn't the intestinal fortitude to admit his passion, and the results are bleak indeed for the unfortunate ward. Director Jiri Weiss does a masterful job staging his story of frustration and denial against a backdrop of post-WWI bourgeois banality.

A comedy based on the novel of Jaroslav Hašek's The Good Soldier Svejk happens during the World War I. I Dutifully Report: In the introduction to the second part of the film adaptation of Hašek's novel The Good Soldier Švějk presents his main character Josef Švejk. With the distinctive traditional Czech cartoon character of a soldier Svejk, this time you meet on the way to the front and eventually right in the firing line. You can look at his famous train events, and also probably the most famous episode of the novel, Švejk's Budějovice anabasis. Don't miss the scene with the secretly bought cognac, the episode with Svejk as a fake Russian prisoner of war, including the court scene, and the scene in which lieutenant Dub is caught in a brothel. Despite the criticism, Steklý's adaptation is undoubtedly the most famous and memorable at present.

Versión cinematográfica de la famosa novela satírica inacabada del escritor checo Jaroslav Hašek, publicada en 1921 y 1922, que narra la historia de las aventuras de un veterano soldado checo llamado Josef Švejk durante la Primera Guerra Mundial. La historia comienza con el asesinato del archiduque Francisco Fernando. Švejk es detenido en la taberna por un agente de la policía secreta y acaba en un manicomio, pero finalmente es puesto en libertad. Presume de haber sido declarado oficialmente idiota y manifiesta un patriótico entusiasmo por la guerra y la monarquía austro-húngara. Posteriormente es reclutado en el ejército. Su forma especial de atender a las órdenes de sus superiores y la forma de ejecutarlas deja dudas en el espectador acerca de su posible estupidez o sabiduría...

The second part of the revolutionary Hussite trilogy takes place in the years 1419-1420.

Jan Hus is a 1954 Czechoslovak film directed by Otakar Vávra. It is the first part of the "Hussite Revolutionary Trilogy", one of the most famous works of the Czechoslovak director, completed with Jan Žižka (1955) and Proti všem (Against All Odds, 1957).

Dog's Heads (Czech: Psohlavci) is a 1955 Czech drama film directed by Martin Frič, based on the novel of the same name by Alois Jirásek. It was entered into the 1955 Cannes Film Festival.

The movie describes proletarian life in the Czech Lands after World War I.

Film shows the struggle of the Czechoslovak armed forces against groups of Ukrainian Insurgent Army (UPA) under command Burlak, who tried to pass through the territory of Slovakia.

Czech drama film.

Cold War Spy FIlm

In his search for the Philosophers' Stone which would enable him to understand the mysteries of the production of gold, Professor Dobner goes in search of the notes of alchemist Melchiad Koloman who, according to legend, had uncovered the mystery and produced gold. Dobner becomes acquainted with the Japanese Nakahito and the Indian Fakír Arkaj and inducts them into his plan. The Fakír wants to demonstrate that he can bring a dead person back to life and suggests to his companions that he could attempt to bring Koloman back to life enabling them to ask him directly for the formula. In order to do this he needs a young, healthy male. Nakahito finds a young rake, Marcel, who has squandered away his fortune and now contemplates suicide. At the promise of an easy life for the duration of one year he agrees to commit himself to the experiment.