Chorus
In the unstable aftermath of a civil war, Creon, the new King of Thebes, asserts his authority by forbidding anyone from honouring the death of the traitor Polyneices. But Antigone, Polyneices' sister, will not obey. When Creon's authority is challenged, a gripping conflict emerges between the power of an individual and the state. Polly Findlay's electric 2012 production brings Sophocles' tragedy into the modern world as a gripping political thriller.
Servant
Infantil en su inocencia pero de forma grotesca, la Criatura desconcertada de Frankenstein es arrojada a un universo hostil por su horrorizado creador. Al encontrarse con la crueldad donde quiera que vaya, la Criatura sin amigos, cada vez más desesperada y vengativa, se determina a rastrear a su creador y hacer un trato aterrador. Preocupaciones urgentes de responsabilidad científica, negligencia de los padres, desarrollo cognitivo y la naturaleza del bien y del mal están incrustados en esta historia emocionante y profundamente inquietante.
Ralph
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
Voices
Political documentary meets baroque rave video in this computer animated portrayal of Louis XIV and his pleasure palace at Versailles. Courtiers from a Rudolf Valentino movie appear in an environment more reminiscent of Blade Runner, while shots from the Poll Tax Riots are weaved into a virtual diorama of London. Uncover the Seventeenth Century origins of our fascination with special effects, surveillance and addiction to media spectacle.
