Valeriy Fedosov

Películas

Afghan Breakdown
Director of Photography
During the main withdrawal of troops from Afghanistan, a company of hardened paratroopers under the command of Major Bandura are joined by Steklov, the son of a high-ranking officer.
It
Director of Photography
The bureaucratic epos on the dialogues and plots of Mikhail Saltykov-Shchedrin "The History of a Town". In a metaphorical and grotesque form, the film conveys the history of Russia from the calling of the Varangians until the end of the 20th century. The film traces the change of the “chiefs” of the county town of Glupov, which differ in varying degrees of tyranny and the corresponding total number of “killed” city residents. The heads of the city easily guess the former heads of the Russian state and the USSR.
Confrontation
Director of Photography
My Friend Ivan Lapshin
Director of Photography
Russian provincial town in the middle of the 1930s Stalin's Great Purge. Ivan Lapshin, the head of the local police, does what he has to do. And he does it well.
Believe It or Not
Director of Photography
Musical comedy based on Russian folklore stories about an adventures of three friends .
Kin
One of the most popular movies tells, in an ironic manner, about complicated relationships between close people. Among the film’s achievements is not only splendid acting, but also the fact that “Kinfolk” remains as contemporary and topical as before. The relations between a son-in-law and a mother-in-law are as everlasting a theme as love itself. Especially when the role of the son-in-law Stasik is brilliantly played by Yuri Bogatyryov, and that of the mother-in-law by the incomparable Nonna Mordyukova. Marusya Konovalova, a kind, simple-hearted country woman, comes to Moscow to visit her only daughter (Svetlana Kryuchkova) and tries to help “glue together” her broken-up family. Acting with best intentions, she cannot understand why her interference provokes a stormy protest… Ruscico.com
I'm an Actress
Cinematography
A film about the great Russian actress Vera Fyodorovna Komissarzhevskaya (1864–1910).
Twenty Days Without War
Director of Photography
War correspondent Lopatin takes a 20-day-leave from his hard work at the front in 1942. He travels to faraway Tashkent to meet the family of the killed soldier and visit the film set of the screen adaptation of his war-time stories. Lopatin also manages to walk the streets of Tashkent, take part in a factory workers' meeting and have a short-lived love affair. Although with no bombings and fighting, the city dwellers breathe the atmosphere of the ongoing war.
While Defending the Front Line
Camera Operator
Volkhov Front in 1942. The young political instructor of the counter-propaganda department of the headquarters of the division Rusanov is torn to the forefront. Together with an experienced warrior — captain Shaternikov — the hero gets to the forefront and transmits from the sound transmission programs addressed to German soldiers. And in the hours of calm passes several kilometers in order to see Katya, the signal woman of a neighboring sector of the front.