Sound
American Odyssey is a look at Orff-Schulwerk in America in 1979. Filmed in 17 schools in 7 states, it documents the creative process in music, movement, dance, theater, and the spoken word, involving students and teachers from kindergarten through community chorus and orchestra. Running throughout are the poem "Sky Dwellers" by Marcia Lunz and the poetic camerawork of Abbott Meader.
Editor
American Odyssey is a look at Orff-Schulwerk in America in 1979. Filmed in 17 schools in 7 states, it documents the creative process in music, movement, dance, theater, and the spoken word, involving students and teachers from kindergarten through community chorus and orchestra. Running throughout are the poem "Sky Dwellers" by Marcia Lunz and the poetic camerawork of Abbott Meader.
Director
American Odyssey is a look at Orff-Schulwerk in America in 1979. Filmed in 17 schools in 7 states, it documents the creative process in music, movement, dance, theater, and the spoken word, involving students and teachers from kindergarten through community chorus and orchestra. Running throughout are the poem "Sky Dwellers" by Marcia Lunz and the poetic camerawork of Abbott Meader.
Editor
"Snake Dance was shown in United States Embassies in Africa in the late 1970s and early 1980s to show the American culture was not all Jim Crow and race riots. Arthur Hall came to Maine as a movement specialist for the National Endowment for the Arts, and the Maine Arts Commission was so impressed they called in filmmakers. We looked in on a Wednesday and filmed all day the next Friday, using all the film we had - color and both negative and reversal black and white." —Bruce Williams
Sound
"Snake Dance was shown in United States Embassies in Africa in the late 1970s and early 1980s to show the American culture was not all Jim Crow and race riots. Arthur Hall came to Maine as a movement specialist for the National Endowment for the Arts, and the Maine Arts Commission was so impressed they called in filmmakers. We looked in on a Wednesday and filmed all day the next Friday, using all the film we had - color and both negative and reversal black and white." —Bruce Williams
Director
"Snake Dance was shown in United States Embassies in Africa in the late 1970s and early 1980s to show the American culture was not all Jim Crow and race riots. Arthur Hall came to Maine as a movement specialist for the National Endowment for the Arts, and the Maine Arts Commission was so impressed they called in filmmakers. We looked in on a Wednesday and filmed all day the next Friday, using all the film we had - color and both negative and reversal black and white." —Bruce Williams
