Georgi Alurkov

After serving his military duty, Simo returns to his hometown. All day he rides his favourite horse Vihar and looks after the horses in the farm. Banov, the chairman of the cooperative farm, doesn't like Simo and wants to get rid of the horses, but Simo will not let this happen.

After serving his military duty, Simo returns to his hometown. All day he rides his favourite horse Vihar and looks after the horses in the farm. Banov, the chairman of the cooperative farm, doesn't like Simo and wants to get rid of the horses, but Simo will not let this happen.

In this routine World War II drama by Bulgarian director Doutcho Mundrov, a group of doomed POWs work together to keep their own dignity and ethical standards high. As the prisoners interact against a background of strife, imprisonment, and references to a rising Communist presence, they come to discover that there is an outside informer passing on information to the enemy. Although they face impending execution, they decide to take steps to end the informer's career.

The students Yoshkata and Petar share rooms and wartime privations in a poor man's street. Over a glass of vine, Yoshkata often talks about the stage life of genuine beauty. The student is unaware of the passion with which Vaska, the barmaid at the local pub, burns for him. Petar is a member of an antifascist combat unit. The pupil Katya loves him. Petar carries out a sabotage action and comes home wounded. Yoshkata manages to deceive the Germans who rush into their flat that they have been drinking and playing cards throughout the evening. He saves his friend. However, the secret agent notices the doctor's visits. When the police arrive to arrest Petar, Yoshkata tries to resist them and the agent shoots him dead. Petar goes underground. On the day of the liberation, all the residents of the poor man's street celebrate, and Katya and Petar happily reunited. Vaska is there, too, a baby in her arms, the fruit of her love with Yoshkata...