Corinne Gigon

Rennes, 2020. The Cinéma Arvor, a temple of art and independent film, is spending its last hours in its emblematic building with its five columns and pink neon sign. The Arvor will move into a modern glass tower, next to the EuroRennes train station. The cinema will expand from two theaters to five and enjoy greater programming freedom. Putting financing together does not run smoothly; delays pile up on the construction site. Nothing out of the ordinary, until the pandemic throws the schedule into disarray yet again. The directors shadowed the Arvor team for more than two years. As cinephiles, they make this history an ode to art and independent film and share their love of the theater as a place of communication, encounter, and extraordinary shared experiences of cinema on the big screen.

1986, in a village in France. A child, Natalia, discovers strange scars on the body of her father, an Argentinean exile.

A deep story about the routine in Inca de Oro, a sunken town in the north of Chile, where Carmen Castillo goes deep into the immobile memory of men and women clinging to the loneliness of gold. The documentary shows the life of the pirquineros and their families.

Documentary that tells the deepest story of Mexico today. The story of the Zapatista Army of National Liberation, that army of Mayan Indians that burst into our lives with the sound of the voices of women and men who emerged, on January 1, 1994, from the Lacandon jungle to tell the powerful enough is enough!