Editor
¿Cómo robar medio millón de euros de treinta y nueve bancos distintos para financiar causas sociales? Este documental muestra la historia de quién lo hizo y cómo.
Editor
Mi abuelo fue un chef de renombre y creó el Motel, el restaurante donde crecí. Mi padre y mis hermanos han continuado con su legado pero yo no me he dedicado a la cocina. En los archivos familiares encuentro las películas de 8mm de mi abuelo, donde descubro la figura de mi abuela, que siempre ha sido un personaje anónimo para mí. A través de conversaciones con mis padres y material de archivo indago sobre la historia familiar y nuestra relación con la cocina.
Screenplay
Mi abuelo fue un chef de renombre y creó el Motel, el restaurante donde crecí. Mi padre y mis hermanos han continuado con su legado pero yo no me he dedicado a la cocina. En los archivos familiares encuentro las películas de 8mm de mi abuelo, donde descubro la figura de mi abuela, que siempre ha sido un personaje anónimo para mí. A través de conversaciones con mis padres y material de archivo indago sobre la historia familiar y nuestra relación con la cocina.
Director
For generations, the Gardell family have devoted themselves to a life working the land. An unexpected change in the legal conditions of the land they farm gives Tomàs and Maria no choice but to turn their farm into a bed and breakfast, where they patiently wait for guests to arrive.
Director
A found footage documentary film made with home movies that approaches to new forms of self-representation and exhibition of our intimacy on the internet and social networks. Made with home-movies where private experiences or intimate situations, turned public and ex-posed on the web, give rise to new self-narratives. Through tutorials or confessional videos, this work illustrates the dynamics of repetitions and iterations that determine the way we show ourselves on the Internet. The films are particularly centered in the forms of construction and exhibition of genre identities.
Script
A found footage documentary film made with home movies that approaches to new forms of self-representation and exhibition of our intimacy on the internet and social networks. Made with home-movies where private experiences or intimate situations, turned public and ex-posed on the web, give rise to new self-narratives. Through tutorials or confessional videos, this work illustrates the dynamics of repetitions and iterations that determine the way we show ourselves on the Internet. The films are particularly centered in the forms of construction and exhibition of genre identities.
Editor
A found footage documentary film made with home movies that approaches to new forms of self-representation and exhibition of our intimacy on the internet and social networks. Made with home-movies where private experiences or intimate situations, turned public and ex-posed on the web, give rise to new self-narratives. Through tutorials or confessional videos, this work illustrates the dynamics of repetitions and iterations that determine the way we show ourselves on the Internet. The films are particularly centered in the forms of construction and exhibition of genre identities.
Editor
A found piece of footage that recycles Super 8 tapes, experimenting with the film media. He uses the footage of films of different genres, establishing relationships between them regarding the construction of the other antagonist: the savage, the wild woman, nature, the untamed. The montage plays with characters that make clear some oppositions (typical / topical) to which the image is repeated when building that other character.
Director
A found piece of footage that recycles Super 8 tapes, experimenting with the film media. He uses the footage of films of different genres, establishing relationships between them regarding the construction of the other antagonist: the savage, the wild woman, nature, the untamed. The montage plays with characters that make clear some oppositions (typical / topical) to which the image is repeated when building that other character.
Director
Instalación que recupera vídeos caseros de Youtube para hablar sobre experiencias de exhibición de la intimidad en la web. Una tendencia por la cual enseñamos nuestras vidas, franqueando el límite entre lo público y privado, lo interior y lo exterior, en un nuevo espacio donde nuestras vivencias cobran existencia. Vivencias privadas pero mediadas por la pantalla "pública", que opera como una especie de espejo en el cual se contemplan miles de personas y a través del cual replican conductas, formas, poses, hábitos. Experiencias atravesadas por un elemento de contagio por el que se imitan formas de (auto)representación generando copias incontables de lo mismo.
Editor
Made from the recycling of a Disney children's animation and a pornographic film, it seeks to link two generators that are radically opposed but have a certain common pedagogical character: they appeal to ideals through which they exert their influence. The recovered piece found tapes, manipulated and intervened manually. It is a work of found material that reuses material and resituates it, giving images new meanings and frameworks for interpretation.
Writer
Made from the recycling of a Disney children's animation and a pornographic film, it seeks to link two generators that are radically opposed but have a certain common pedagogical character: they appeal to ideals through which they exert their influence. The recovered piece found tapes, manipulated and intervened manually. It is a work of found material that reuses material and resituates it, giving images new meanings and frameworks for interpretation.
Director
Made from the recycling of a Disney children's animation and a pornographic film, it seeks to link two generators that are radically opposed but have a certain common pedagogical character: they appeal to ideals through which they exert their influence. The recovered piece found tapes, manipulated and intervened manually. It is a work of found material that reuses material and resituates it, giving images new meanings and frameworks for interpretation.
