Pek G. Avolio

Películas

Husbands in the City
Production Design
Mientras las mujeres están de vacaciones, los maridos que se quedan en la ciudad cambian sus costumbres...
Una ventana sobre Luna Park
Production Design
Aldo trabaja en Kenia para que su mujer y su hijo Mario, que han quedado en Italia, tengan un futuro mejor. Pero la mujer muere y el niño apenas conoce a su padre. En cambio Mario y su madre habían cobrado un gran afecto por el buen Righetto. Aldo tendrá que decidir si está dispuesto a ganarse el sitio que cree merecer en el corazón de su hijo.
Time of Vacation
Production Design
Holiday time in Corniolo, a resort 40 kilometres from Rome. In a recently opened hotel various characters sojourn and love stories begin and end.
Crónica de los pobres amantes
Set Decoration
In 1925, young Florentine typographer Mario moves to via del Corno to be near his girlfriend Bianca. Here befriends Maciste, his landlord, and Ugo, anti-fascists both of them. After a resident is beaten by the fascists, Mario meets her wife Milena at the hospital, falling in love with her and leaving Bianca. Maciste is killed, again by fascists, while Ugo is wounded and he seeks shelter in a nearby house. Here he falls in love with Gesuina and the two marry. Milena's husband dies, but she and Mario part ways. Later, Mario is arrested by the police.
Crónica de los pobres amantes
Production Design
In 1925, young Florentine typographer Mario moves to via del Corno to be near his girlfriend Bianca. Here befriends Maciste, his landlord, and Ugo, anti-fascists both of them. After a resident is beaten by the fascists, Mario meets her wife Milena at the hospital, falling in love with her and leaving Bianca. Maciste is killed, again by fascists, while Ugo is wounded and he seeks shelter in a nearby house. Here he falls in love with Gesuina and the two marry. Milena's husband dies, but she and Mario part ways. Later, Mario is arrested by the police.
At the Edge of the City
Production Design
Based on real events, in Rome a lawyer is not sure whether to accept defending a lower-class worker wrongly accused of the murder of his girlfriend.