Producer
Mezcla de ensayo, documental y ficción, Esplendor de los días venideros asume su lugar de cuerpo extraño y no duda en explorar las fracturas de su propia identidad cinematográfica
Editor
Mezcla de ensayo, documental y ficción, Esplendor de los días venideros asume su lugar de cuerpo extraño y no duda en explorar las fracturas de su propia identidad cinematográfica
Writer
Mezcla de ensayo, documental y ficción, Esplendor de los días venideros asume su lugar de cuerpo extraño y no duda en explorar las fracturas de su propia identidad cinematográfica
Director
Mezcla de ensayo, documental y ficción, Esplendor de los días venideros asume su lugar de cuerpo extraño y no duda en explorar las fracturas de su propia identidad cinematográfica
Writer
El 2 de julio de 2008 a las cinco y media de la tarde, un hombre de 53 años llamado Jean-Michel fue arrollado por un tren en Saint-Lyé, un pueblo de 3.000 habitantes ubicado al este de Francia. No se sabía si había sido un suicidio o un accidente. La directora investiga en el pueblo, les pregunta a diferentes habitantes qué piensan de aquella tragedia. Para varias personas Jean-Michel se había suicidado, tras acumular demasiadas angustias y problemas; cuanto más pregunta la voz en off, más se multiplican los interrogantes. Pero hay un detalle de la vida de Jean-Michel que lo conecta con Argentina: había sido empleado en una empresa telefónica hasta que una privatización lo dejó sin trabajo. Retiros (in)voluntarios es un documental periodístico que muestra cómo los parentescos entre la política de los 90 de Argentina y la de Francia veinte años antes perjudicaron la vida de tantas personas.
Editor
"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.
Writer
"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.
Director of Photography
"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.
Director
"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.
Director
Ensayo poético sobre el tiempo y la memoria, reflexión sobre el vacío y la muerte, documental de una mujer campesina, ficción de ese documental, Un continente incendiándose es una especie de matryoshka, una película que contiene en su interior otras películas, infinitas películas que intentan dar la misma sensación que provoca una piedra cayendo en el agua, algo así como un espiral retumbando en el silencio estruendoso de un pueblo olvidado de la cordillera patagónica. A poetic essay on time and memory, a reflection on emptiness and death, a documentary about a peasant woman, fiction of that documentary, A Continent on Fire is a kind of matryoshka, a film that contains other films inside, infinite films that they try to give the same sensation that a stone falls into the water causes, something like a spiral rumbling in the thunderous silence of a forgotten town in the Patagonian mountain range.
