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In pre-WWI Austria-Hungary, a physician struggles with his decision about which woman will he marry.
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones. Thus the erotic is not for shocking, but to stress that making music involves the body in a very direct way.
A (temporary) leave of many friends who are my truest world, with the attempt of getting them together in an ideal summary conceived to support me during my being far away. –A. L.
The film is a document and a poetic manifesto that highlights the intertwining between sound and theatrical gesture. With Elise Ross, Giancarlo Cardini, Italo Gomez, Romano Amidei and Rocco.
