Sound Editor
A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.
Screenplay
Unmistakably French in its melancholy, this treatment of an apocalyptic subject (the film takes place after some kind of global disaster) takes La Jetée as its primary reference. Like Chris Marker, Félix Fattal builds a dynamic story from static images in Après nous, le déluge. The near-total lack of movement encourages the viewer to look into the texture of the imagery itself, lending it a haptic quality.
Director
Unmistakably French in its melancholy, this treatment of an apocalyptic subject (the film takes place after some kind of global disaster) takes La Jetée as its primary reference. Like Chris Marker, Félix Fattal builds a dynamic story from static images in Après nous, le déluge. The near-total lack of movement encourages the viewer to look into the texture of the imagery itself, lending it a haptic quality.
Writer
In a land at the end of the world, it is said that a magic forest exists that can make appear the being most desired by travelers who stay there, a creature from a distant memory, a dreamed present, or an uncertain future.
Director
Ian “The Machine” Freeman is a boxer. At every one of his fights, between blows, his mind drifts away to his youthful days, to the origins of his passion and violence.
Director
1 loves "0". "0" loves "1". And their passion has the power of the waves that collide with the face of the world.
