First Assistant Director
A documentary covering the 2000 Olympic Games in Sydney.
First Assistant Director
Barney and Dimi are young men in love and are on a trip to visit Dan, Barney's dying father. Dan is planning his suicide and wants Barney there.
First Assistant Director
A champion high school rugby player has a secret desire to be a ballet dancer, having spent 11 years in ballet school. Seizing an opportunity to audition for a local company's presentation of "Romeo and Juliet", he nonetheless fears what will happen to his reputation if the other kids in his school find out. Adding the practices to his already burgeoning schedule quickly starts to create problems with his friends, his teachers, his coach, his play director, and his ballet partner. Of course, it all comes together on the stage of the Sydney Opera House.
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In a post-apocalyptic world, a group of children move from one uncertain world to another in their quest for sanctuary.
First Assistant Director
This movie is all about a normal guy called Billy Apples. He is a social drinker and sometimes lead singer of a band. While he is doing all of this, he still manages to bring up his teenage daughter. One night while sitting at home Billy finds that he has a talent! He finds that he is able to sing like his idol, 50's singer Billie Holiday. From there he is going places, from huge live performances to even cutting a hit record, but in the end he must make a choice between the life he has, and the life he once knew. Written by Graham Wilson Jr
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Un autocine es en realidad, una trampa del Gobierno para atrapar a los revoltosos Car Boys (y demás escoria indeseable) y retenerlos allí. Así la sociedad se verá libre de los jovenes rebeldes que la incordian. Una vez dentro, y mientras completa el acto sexual con su novia, a Crabs le roban las ruedas del coche de su padrastro. El dueño del autocine, el siniestramente anodino señor Thompson, les informa que no hay manera de conseguir otras de recambio. Allí, además, no llegan taxis, autobuses ni se puede comunicar exteriormente con nadie. Van a tener que quedarse pasar la noche. Y pasa la noche y nada cambia, siguen allí. A su alrededor, todos los punks conviven en una especie de autocine fantasmal, con coches que no funcionan y que han sido convertidos en vivientes para sus habitantes. Todos los días comen hamburguesas, huevos y batidos en la cafetería y a las noches pasan una película de ultraviolencia y sadismo. Pero Crabs tiene una idea, y sabe que pueden huir.
