Editor
Gayuma is a magical love story going beyond the boundaries of social class, religious and superstitious beliefs, and urban-rural prejudices. A failed exorcism of a statue of the Child Jesus led a poor sacristan, Delfin, to concoct a love potion to make Carla, a rich girl, fall for him. After Carla drinks the potion and assents to his advances, Delfin couldn't believe his luck until he is no longer certain whether Carla really loves him. Delfin descends into a deep sleep of paranoia, from which medial science couldn't wake him. Carla goes on a pilgrimage to the heart of a mountain to overturn the potion. A possessed statue of a Child Jesus stands between them. Will their faith bring them together or keep them apart?
Editor
In this metaphoric story of violence and resilience from director Alvin Yapan, Fe (Irma Adlawan) returns home to the Philippines after several years of working overseas, her job a victim of global economic shifts. Fe is initially greeted with affection by her husband Dante (Nonie Buencamino), but he has a long history of domestic violence fueled by rage and long-term impotence, and Fe quickly discovers her time away has not changed him. Dante works in a factory making baskets, and Fe soon joins him there; she becomes the lover of Arturo (T.J. Trinidad), the man who manages the basket company, but while Arturo treats her well, he's still under the thumb of his father who owns the factory. Meanwhile, an unknown admirer sends her parcels of strange black fruit on a regular basis. Torn between two men who cannot give her what she needs and wants, Fe's frustration leads to take desperate steps to establish her independence.