Jean Gillie

A Wilson, un cazador profesional afincado en Kenya, lo contratan Margot y Francis Macomber para hacer un safari por la sabana africana. Wilson organiza para ellos una cacería, pero, cuando llega el momento de enfrentarse con un león, Francis, dominado por el miedo, huye despavorido. Por otra parte, el señor Macomber empieza a sospechar que su mujer se ha enamorado de Wilson y trama un plan para comprobarlo.

Traicionada por su amante, una despiadada asaltante (Jean Gillie) no repara en medios para recuperar el botín que su ex le quitó, y destruye a todo (y todos) lo que se pongan en su camino...

Jimmy Bancroft, a fighter pilot, who is recovering from injuries sustained during the Battle of Britain, and Hazel Court, a nurse, come across a pair of rare birds nestling in a field. After a run in with the army, and a couple of thieves, they, with the cooperation of the village people and the Ornithology Society, help the eggs to hatch. A wonderful look at life in a small village, during World War II.

Cuenta la historia de siete mujeres británicas de clase alta que deciden ayudar durante la Segunda Guerra Mundial.

Un hombre es asesinado a la puerta de la casa de Simon Templar, El Santo, pero consigue decirle unas palabras antes de morir. Ellas le llevarán hasta el pueblo de Baycome, donde se tendrá que enfrentar con una peligrosa banda de gánsters.

"What a life for a couple of nudes!" Two dancers find a new way of doing their bit for the boys in this frothy wartime propaganda short. Lord Kitchener's famous finger persuades Joan and Ireen, dancers in a 'Non Stop Nudes' revue (not that we see anything that warrants that title), to make a radical career change. Swapping their skimpy costumes for dowdy munitions factory overalls, they join a growing domestic army of women keeping the machines rolling. Belfast-born Brian Desmond Hurst was essentially a feature film director, whose best-remembered work is the Dickens adaptation Scrooge, but whose credits also included the war films Dangerous Moonlight (1941) and The Malta Story (1953). The Call for Arms was one of three propaganda shorts he made between 1940 and 1941, the most memorable being Miss Grant Goes to the Door, in which a pair of village spinsters outwit a Nazi paratrooper.

Boat building father and son join the river patrol service and get caught-up in a spy ring.

Through a series of unforeseen events, two glamorous young ladies find that they are obliged to spend the night on board the battleship HMS Falcon, where they have been attending a 'bon voyage' reception. At first it seems that Captain Randall will be able to keep them concealed, but then the Admiral unexpectedly arrives on board and orders the ship to sea.

Two business partners are having woman trouble. One wants to marry his secretary and the other is set to marry a wealthy aristocrat. When the partner who wants to marry his secretary lets her go before he proposes to her, the woman confused woman tries to commit suicide by jumping into a river. Complications ensue.

In this British musical, set in Paris, an apparently upstanding husband and father spends his nights fooling around with wild women. His son, wanting to be just like his dad, begins dating a seductive widow--the same widow his father has been seeing. Trouble ensues when the father refuses to let his daughter marry her true love. When the fiancée learns of the father-son shenanigans, he begins blackmailing them into letting him marry the daughter.

A filmed version of the stage musical from London's West End, Jack stars in a frothy tale of a bachelor who finds himself engaged to two girls simultaneously. Elsie Randolph, Jack's long standing stage partner co-stars with him, along with Jean Gillie who was rapidly establishing her career in films as a bubbly comic player. Songs include the title song & "There isn't any limit to my love", both quite popular hits in the UK at the time.

A British millionaire's son travels to France to study art, and falls in love in Paris.