Line Producer
18-year-old school graduate Sasha is indecisive to choose painting as his profession. He does not want to let down his mother, who wants him to make a safe career choice. The meeting with his father, whom Sasha never knew, complicates things even more. But when Sasha meets an unusual girl Zhenia, he has no other choice but to grow up.
Line Producer
The story of how a son gets a second chance to find a mother. About how war generates only human grief and creates unhealed wounds. The hero of the picture, 40-year-old Walter, left his native land for several years and works as a foreman at one of the Moscow construction projects. He builds not only houses in Russia, but also tries to build his new life. However, one day a phone call from his homeland breaks all his plans. Walter learns that the hostilities have reached the village in the mountains where his mother lives.
Casting Assistant
Una misteriosa “conferencia” se prepara en un teatro. Natasha, superviviente del sonado sitio de rehenes del teatro Dubrovka de Moscú en 2002 (primera crisis del gobierno de Putin, solucionada de polémica manera) organiza un acto conmemorativo para las víctimas. Una tensa y fantasmal ceremonia catártica con la que Tverdovskiy ("Jumpman") confecciona desconcertantes estampas y levanta escamas en la historia reciente de Europa. ¿Hasta qué punto la memoria histórica es un acto de justicia, una acción terapéutica o una traba para labrarnos un futuro? Tanto olvidar como recrearse en el trauma son dos filos de una misma navaja. (SEFF)
Line Producer
Una misteriosa “conferencia” se prepara en un teatro. Natasha, superviviente del sonado sitio de rehenes del teatro Dubrovka de Moscú en 2002 (primera crisis del gobierno de Putin, solucionada de polémica manera) organiza un acto conmemorativo para las víctimas. Una tensa y fantasmal ceremonia catártica con la que Tverdovskiy ("Jumpman") confecciona desconcertantes estampas y levanta escamas en la historia reciente de Europa. ¿Hasta qué punto la memoria histórica es un acto de justicia, una acción terapéutica o una traba para labrarnos un futuro? Tanto olvidar como recrearse en el trauma son dos filos de una misma navaja. (SEFF)
