Director of Photography
A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.
Camera Operator
Weather conditions are becoming more extreme. A giant, stranded whale, seals with plastic in their bodies, oil-coated swans and dolphins that have been rammed by ships – these patients require emergency medical care. The director portrays the critical relationship between humans and wild animals and the consequences of climate change, in profound documental images which are more impactful than any explanation.
Cinematography
Every day, 18-year-old Nori walks to the Bauta station to listen, watch, and feel the vibrations of the passing trains.
His playful imagination leads us through the space as we witness his obsession and sensory experience of arrival and departure. A glimpse of adolescence in the Cuban countryside.
Director of Photography
Dos ex compañeros de colegio quiteños se encuentran por casualidad en Ciudad de Panamá en 1985. No se han visto desde su graduación y aunque entonces fueron cercanos, han tomado caminos opuestos: Esteban trabaja en la banca y está en Panamá por negocios, no siempre lícitos. José Luis se presenta como periodista pero en realidad es miembro de la guerrilla Alfaro Vive ¡Carajo!, viviendo en la clandestinidad mientras prepara una nueva acción en el Ecuador: el secuestro de un banquero. Dos personajes sostienen un relato que está profundamente aferrado al pasado del país.
