Writer
A woman searching for the traces of her mother in herself. Live, re-live.
Director
A woman searching for the traces of her mother in herself. Live, re-live.
Editor
Katharina and Sonja meet by chance on a train journey to Klagenfurt. Sonja, who wants to prepare for an exam, invites Katharina to live with her. The two different girls get to know the equally opposing men Thomas and Peter. Beyond the little holiday flirtations, Sonja and Katharina discover that they fell in love with the same man in Vienna...
Editor
Portrait of a great lady based on the real life of Margarete Schütte-Lihotzky, an Austrian architect, who joined the resistance movement against Hitler.
Editor
Austrian aristocracy, in order to get their supply of drugs flowing freely, associate with anarchist youths to plan a revolution against the socialist government.
Editor
Editor
Editor
Fragmented stories about the big city, loneliness and the need to communicate.
Editor
A young woman is fed up with the usual consumer's television and begins to make her own television, or more correctly, closevision. She is now a reporter who wanders around Berlin with her camera and 'telecasting apparatus' on her back. Her livingroom has been transformed into a studio and here the different programs are assembled and aired: statements, interviews, realistic and phantastic programs.
Editor
19 months after the fall of the dictator Somoza, the Austrian film team travels across Nicaragua for seven weeks (from August 4th to September 20th, 1980) and gathers information, mostly from farmers, workers, market women and soldiers. We are shown life in the Fincas, the agricultural co-operatives, in a banana plantation of Standard Fruit, a private corporation, in the "Carlos Roberto Huembes Hospital" in La Esperanza which is run by Austrians.
A report on Nicaragua of 1980 which discusses the dream of the murdered freedom fighter of Nicaragua, General C.A. Sandino and whether it has been realized and answers this question affirmativeley. In spite of the present and threatening difficulties, the film is optimistic.
Producer
Caught Feelings is the succinct title of a film which deals with emancipation trends from the viewpoint of young Austrians.
Manfred Kaufmann's first film reports on tensions which may arise from the contradictions between collective and individual feelings. He works with subtle and psychologically perfected indications which explain the symptoms and illustrate the reactions.
But this film is also a vehement attack on bourgeois feelings and the resulting behaviours. He shows character traits which use masks to simulate emotion as well as those which are ready to remove their masks in order to let feelings take effect. (Herbert Holba)
Editor
Caught Feelings is the succinct title of a film which deals with emancipation trends from the viewpoint of young Austrians.
Manfred Kaufmann's first film reports on tensions which may arise from the contradictions between collective and individual feelings. He works with subtle and psychologically perfected indications which explain the symptoms and illustrate the reactions.
But this film is also a vehement attack on bourgeois feelings and the resulting behaviours. He shows character traits which use masks to simulate emotion as well as those which are ready to remove their masks in order to let feelings take effect. (Herbert Holba)
Writer
Caught Feelings is the succinct title of a film which deals with emancipation trends from the viewpoint of young Austrians.
Manfred Kaufmann's first film reports on tensions which may arise from the contradictions between collective and individual feelings. He works with subtle and psychologically perfected indications which explain the symptoms and illustrate the reactions.
But this film is also a vehement attack on bourgeois feelings and the resulting behaviours. He shows character traits which use masks to simulate emotion as well as those which are ready to remove their masks in order to let feelings take effect. (Herbert Holba)
