Art Direction
Austrian television director Fritz Lehner makes his feature debut with the big-budget drama Jedermann's Fest, based on the 1911 play by Hugo von Hofmannsthal, which in turn was based on a medieval tale. Originated in parts of England, the myth of Jan Jedermann ("John Everyman") deals with a rich man on his deathbed coming to terms with his life's failures. Not following much of a plot, the modernized version involves famous fashion designer Jedermann (Klaus Maria Brandauer) imagining his last big gala event while rendered unconscious as a result of a car accident in his Ferrari. He is a success in Vienna but not in fashionable Paris, so he wishes to impress French elder stateswoman Yvonne Becker (Juliette Greco).
Art Direction
The comedy “Ein fast perfekter Seitensprung” was not only successful, it was really well-done. The first sequel is, as most sequels, less attractive. As the charming mix of Germans and Austrians itself wasn't new and interesting any more, Schwabenitzky had to concentrate more on the less terrific elements. He emphasised the character-clichés and made up a more complex story, in order to bring down as many of the characters from the first film as possible. This sequel is only worth watching if you're a great fan of the first part. Actually, not even then.
Art Direction
Eva, a successful publicity executive, has weight problems. In spite of diets and starvation cures she is overcome frequently by attacks of compulsive eating so that all resolutions and efforts to reduce weight are of no avail. She becomes more and more frustrated. Her new boyfriend Thomas does his best to pep her up but it doesn't help her self esteem.
Finally, after she ditches her date with Thomas because she can't find the right dress to wear, she flies into a rage and -in an act of self-liberation- throws her clothes and scale through a closed window.
