Elke Maravilha

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

Ana (Manuela Campagna) is a 17-year-old girl who lives in a border town between Brazil and Argentina. There, she has no leisure options and no internet access. Your only refuge is to visit a tallow / lanhouse known as "The Cave". It is there that, one day, she ends up meeting Murilo (Fagundes Emanuel), the boy she will fall in love with.

Bil is an elderly man who works as an office boy for a firm in São Paulo, as he does not pay for a bus ticket and takes a preferential line at the bank. One day he gets involved in an unusual bank robbery.

Obsessed with a heteronormative identity, Pendro confronts himself with an image that doesn’t represent who he is. On this search performed by him, the marks of violence start appearing all over his vulnerable young body.

The immature and cheap douche bag Fábio Clóvis marries the pseudo-intellectual Miá and they travel in a cruise to Europe on board of a fancy passenger vessel. Fabio and Miá are invited to have dinner with the wealthy Beto Assunção and his gorgeous wife Laura in a VIP restaurant on the vessel. Soon Fábio discovers that Beto was Miá's boyfriend and Miá learns that Fábio had a crush on Laura that was his classmate. Meanwhile the cynical chamber maid Suzana Mello and her estranged husband, the entertainer Wilson, make a bet that Fábio and Miá will split before the end of the trip and poison their relationship. When the ship arrives in Casablanca, Fábio meets his bothersome childhood friend Cabeça that affects their honeymoon.

The day a man almost runs-over a puppy, he meets the love of his life. The couple and their dog live the dream, until she wants out.

This film documents in depth the life and artistic trajectory of the musician and poet Itamar Assumpção. He was one of the pillars of a moment of Brazilian popular music that was conventionally called "Vanguarda Paulista". Starting from extensive research which resulted in more than 250h of images and a dive into the personal universe of this incredible artist, Itamar comes up with a poetic, intuitive plot where facts and testimonies speak louder than preconceived ideas.

Una mirada atrás a la edad dorada, a las "épocas felices". Paulo fija su primer recuerdo en los festejos en las calles brasileras por el fin de la Segunda Guerra Mundial de la mano de sus padres. Desde ahí recorreremos los años cincuenta, y los personajes típicos de la sociedad brasilera de aquella época; la relación con su mejor amigo y con sus padres y abuelo. Una visita a un cabaret y el encuentro sorpresivo con su padre cambiará la historia de las relaciones de una manera fascinante.

Mixed with fiction and documentary, the film relives the interviews conducted by the writer Clarice Lispector published in the magazines "Manchete" and "Fatos and Fotos" in the 1970s.

Hello, Hello, Terezinha! is a feature-length documentary about the country's biggest communication phenomenon. Politically incorrect, radical, renewing, Chacrinha changed Brazilian television forever and expressed a Brazil that was around it, but was not perceived. The film tells the great adventure of Abelardo Barbosa through the eyes of the presenter. It gathers the nuclei of its constellation - chacretes, fledglings and artists who passed through its programs - to identify their individualities and their emotions.

A tribute documentary on Fernando Ramos da Silva, the famous child star of the acclaimed film by Hector Babenco, "Pixote, a Lei do Mais Fraco" (1981). 20 years after his assassination by the police, his co-stars and Babenco talk about Fernando's contributions to the film, his troubled life when his acting works didn't took off as expected (since he was typecast) and which made him turn back to his past life of poverty and crimes. The project also presents that film's influence to many directors and artists around the world.

Covering the last years of the famous Brazilian fashion designer in her doomed quest for justice, Zuzu Angel follows the case of her activist son Stuart's arrest, torture, murder, and subsequent corpse disposal by the military forces in early 1970s Rio de Janeiro, during the darkest era of Brazilian military regime and media censorship.

Nena, a journalist and former student of the Two Hearts dance academy, tries to stop the school from being sold to a group of drug dealers. She trains a group to win the Requebra dance contest that would give them the necessary money to carry their plans.

In 1947, Edgar went to visit Usher and his sister Lady Madeleine. He find out that coursed still living in the house after Usher rebuild it. Based on the novel of Edgar Allan Poe.

The story of the great train robber Ronald Biggs.

Twin brothers arrive in Rio during the Carnival. One is a priest and is going to work in a parish; the other, a drug-dealer, in a business trip to sell cocaine. They’re not aware of each other’s presence. People expecting them always get in touch with the wrong guy.

The dictator of a small Caribbean island receives the New York Times daily, sent by a nephew. Through the newspaper, he gets in touch with the world. Guerrilla groups try to neutralize this information system.

Pixote, un niño fugitivo de 10 años, es arrestado en las calles de Sao Paulo durante una redada policial a personas sin hogar. Pixote soporta la tortura, la degradación y la corrupción en un centro local de detención juvenil donde dos de los fugitivos son asesinados por policías que enmarcan a Lilica, una estafadora transvesti de 17 años. Pixote ayuda a Lilica y a otros tres niños a escapar donde se ganan la vida con la vida del crimen, que solo aumenta a más violencia y muerte.

When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.

When a prominent U.S. Nobel Laureate arrives in Salvador, Bahia, the city with the largest black population in Brazil, he stirs emotions by championing a long-forgotten local writer named Pedro Archanjo, who believed that humanity would be improved only through miscegenation.

Tonho Tiê really likes living free, playing capoeira and drinking. During Carnival he meets Zulmira, a beautiful woman. On Ash Wednesday, the day of Iansã and Xangô, they pledge love and projects for many children. But time passes and Tonho returns to being the womanizer he had always been. Zulmira, daughter of Iansã, cannot stand Tonho's brazenness, and asks her saint-mother to wash her honor with blood. An Exu is invoked, who in the form of a woman, must make Tonho suffer and pay for his sins. Iaba is her name. Tonho's life starts to get complicated. To meet Iaba's needs, Tonho buys dresses, perfumes and jewelry. But the pomba-gira is not content. She wants to make a worker out of Tonho. No longer supporting Iaba's demands, Tonho decides to look for a terreiro to unload. He receives strength from his orixá, Xangô, and starts a quest to get rid of Iaba's clutches.

Describe la vida de Xica; una singular esclava negra en tiempos de la Colonia, mujer que cautivara al contratador de una región rica en diamantes, Gonzalo Fernández de Oliveira y, a base de audacia y desenfado, ascendiera hasta reina de su imperio.

Competing for the concession of a TV channel, one of the contenders throws an orgy to defeat the other candidate.

Music manager has to get three of his artists together for a special show, but soon finds out it isn't an easy task.