Kyle Chase

PelĂ­culas

Beta Male
Art Designer
A surreal re-imagining of what to do when hit on by a creep at the end of a draining night shift.
Beta Male
Sound
A surreal re-imagining of what to do when hit on by a creep at the end of a draining night shift.
Cult
Line Producer
A documentary crew travel to a remote village in England to capture the lives of notorious cult 'Friends at the End'. F.A.T.E were once a growing religion but, after a miscalculated doomsday prediction in the 1950s, membership has dwindled. In recent years F.A.T.E have been linked to disappearances of former members, the leader Daniel Love has gone into self-imposed exile, and this year their crops are failing. Except the potatoes. In need of money, the gang recruit new member Rachel, at a local rehab facility. Rachel breathes new life into the group and, when she turns the head of lifelong member Comet, old relationships begin to fracture. As the comet that F.A.T.E believe will bring with it the end of the world approaches, the group's beliefs are tested. New secrets emerge which threaten everything the cult has been working towards.
Meniscus
Director of Photography
The grass isn't just greener on the other side, it's a gleaming technicolor. The stories of four friends - singletons wishing they were in relationships, relationshipees yearning for escape from them - unfold simultaneously in four corners of the screen, as they all prepare for the house party of a mutual acquaintance.