Stav Meron Morag

Following an illegal foreclosure order issued against his partner, Attorney Barak Cohen started a fight against the heads of the banking system, and created a new model of civil resistance demanding personal responsibility from the decision makers. The public uproar caused by the campaign led the heads of the banks, the attorney's office and the police to try to stop the activity of Barak and his friends in any way possible. The culmination of this attempted silencing was the "trial of the bankers" which included serious charges, as if taken from the world of organized crime. Barak and his friends did not panic and turned the trial into a serious indictment against the heads of the banking system, a move that was hailed as a resounding success and has since inspired all civil struggles in Israel.

Anat Gov, one of the most influential playwrights in Israeli theatre, is preparing for her death. She asks Arik Kneller, an artists' agent, to be the executor of her will. Arik struggles to accept the humor and serenity with which she faces her upcoming end. Anat, consciously accepting her nearing end, wishes to leave a spiritual legacy: there can be a happy ending. Almost a decade after her death, her loved ones try to fill the void left by her words with their own. Through excerpts from her plays and footage of her family and political world, a new script is written: one in which the line between the play and reality is blurred.

When Yoel hears about an imminent Iranian military attack on Tel Aviv, he knows what to do - escape with his family to a safe haven in Jerusalem. His son Assaf, who is a filmmaker and about to become a father himself, wants to give Yoel one last lead role in his movie by melting the fictional world into bittersweet reality.

A young woman attends an art opening, desperately trying to fit in. She puts on audio-guide headphones and observes the exhibit. Suddenly, the narrator starts giving her wild instructions until she does the unspeakable.

When Filipina stay-at-home nurse Christie disappears, Araleh is forced to help his brother tend to their dying father. Trying to protect himself, he begins scattering white lies, which only bring closer the inevitable end they all feared.

I Am Ahmad, a 1966 13 min. revelatory short, was originally censored before its stormy release. Fifty years later, top Arab and Jewish alumni of the Jerusalem Sam Spiegel Film School conduct a poignant dialogue about “today’s Ahmad”, contending with questions of the impossible coexistence between Palestinian citizens of Israel and Jews that is rapidly deteriorating. Comprised of six chapters, the feature film is political, activist and fistful, mirroring a torn Israel. Yet, Voice of Ahmad is at times also funny, poetic and sarcastically utopian.