Pascale de Boysson

An honest and idealistic archaeologist, to find the legendary burial of an Etruscan king, collides with the interests of a group of "grave robbers". Larth is a passionate archaeologist of the Etruscan civilization, on the trail of a famous royal tomb. Vasco is a hotelier in the area which is enriched by plundering the graves and selling their treasures. Tania is the beautiful, thirteen year old, niece of Vasco (played by 18 yr old Brigitta Boccoli ) that disturbs the mature scholar Larth by attempting to seduce his wife Leonora. There is treasure, thievery, murder and seduction. Oh, and a red car.

Joseph Galloudec seven years, lives in the eighteenth floor of a building in the Paris suburbs, between his mother Julia and her father Jean-Claude, a computer engineer and communist militant. His parents experiencing marital problems and his mother soon to give birth, he left for the summer holidays with his grandparents and three uncles, turbulent triplets. He discovers the castles of the Loire, Brittany and England. Upon his return, he met his sister Elisa, but her parents and tear her mother eventually left the home.

En Inglaterra, a finales del siglo XIX, la humilde familia Durbeyfield descubre que en realidad desciende del ilustre clan de los d'Urberville. La hermosa y joven hija Durbeyfield, Tess, es enviada a la cercana mansión de los d'Urberville para retomar la relación con sus ricos parientes. Así comienza la entrada de la inocente Tess en un juego de ilusiones y seducciones en el que podría encontrar al amor de su vida.

Inspirada en la novela de Chrétien de Troyes, "Perceval, el cuento del grial" (siglo XII), narra las andanzas de Perceval desde que fue armado caballero por el rey Arturo y se adiestró con los Caballeros de la Mesa Redonda. A diferencia de otras adaptaciones de la leyenda, Rohmer sitúa a los personajes en un artificial y teatral reino. Un coro participa en la historia y, a menudo, los personajes narran sus hazañas a partir de versos tomados del texto original.

Commandant Gardefort, horseman at the Cadre Noir Riding Academy in Saumur, having given up hope of promotion decides to retire. To fill his time until then, he buys a mare, Milady, and in two years trains her to the highest dressage haute ecole standards. But he finds himself in dire financial straits over his divorce, and is obliged to sell the mare. She is bought by a rich Belgian banker, who transforms Milady into a circus horse. Visiting him, Gardefort resolves the situation in the only way he sees fit.

Una campaña electoral se vuelve más interesante cuando aparecen fotografías publicadas de forma anónima que muestran a la esposa de un candidato, el Dr. Peyrac, asistiendo a una fiesta sexual.

Julien and Agatha appear to be a great couple, loving, caring and seem to feel complete with each other. Though Julien often gives the impression of being interested in other girls, his lover doesn't care all that much and sometimes even looks like she's encouraging him to do that. It all changes when they meet an American woman who'll change their lives and their perception of love.

Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.

Lisa, fotógrafa de modas, mantiene un romance con un hombre casado. Ambos saben que la relación no les obliga sino a pasarlo bien. Cuando él atraviesa una delicada situación familiar provocada por la aventura de su hija con un hombre mucho mayor, Lisa comprende lo enamorada que está y lo poco que puede esperar de él. (FILMAFFINITY)

Middle-aged attorney Pierre falls for a young woman who dances in a discotheque to work her way through medical school. The lovestruck lawyer can't bring himself to leave his wife over the young woman. When the dancer's wealthy suitor is murdered, Pierre is accused of the crime.

Madame Bertini, a newly widowed 70-year-old miser, has lived a sheltered life in squalour. She determines to venture into the modern world and have as much fun as possible, and in doing so finds that she loves it. She blows her life savings, much to the disapproval of the young people around her.

When Guillaume Valmont dies in a car accident, the only thing he leaves his wife Isabelle is his pharmacy. She never loved her older husband and she regards his death as a deliverance. At the funeral, she meets Judith, widow too, and she soon realises that her husband had been leading a double life. A short while later, the pharmacy is broken into, but nothing is stolen. Police Inspector Laforêt is put in charge of the case. Isabelle becomes suspicious when Judith offers to buy the pharmacy.

A bourgeois family, who is harassed and humiliated, ruins their young maids without pay for several years.

A 1963 TV film directed by Michel Mitrani.

The vagaries of love are often tragic, as Amelie ou le Temps d'Aimer seems to say. Directed by Michel Drach in his second try at a feature-length film, the well-wrought romance revolves around the love that develops between Amelie (Marie-Jose Nat) and her cousin Alain (Jean Sorel). Amelie is an orphan who lives with Alain and his family on an island off the coast of France. Alain has dreams of working as a seaman, while Amelie works for Alain's father. The budding romance between the two takes a nose-dive when Alain falls for a glamorous actress who shows up on the island one day. Not mature enough yet to make a wise choice, Alain's betrayal of Amelie turns out to be a grievous mistake.

Una aburrida ama de casa, Anne, es testigo del asesinato de una mujer por su novio en un bar. De casualidad, conoce un hombre, Chauvin, un trabajador, quien comparte su fascinación por el asesinato. Mientras los dos discuten sobre la historia de la trágica pareja y especulan sobre las circunstancias que llevaron al asesinato, Anne se encuentra atraída por Chauvin...

En 1865, el joven Octave Mouret llega a París dispuesto a hacer una gran fortuna aprovechando tanto sus encantos físicos como sus exquisitos modales de caballero. Seduce a cuantas mujeres considera necesario para sus fines, y así va escalando posiciones en el escalafón social. Adaptación de una novela de Émile Zola a la que Duvivier le da a la vez un toque romántico y cínico.