Laure
Richard es un director cuarentón de cine que se ve presa de la ansiedad en medio de una filmación. Abandona el rodaje y vagabundea en la noche parisina en busca de respuestas, comfort e inspiración. Durante su noche de insomnio, tiene encuentros con mucha gente: algunos perturbadores, algunos con conocidos, otros con extraños. Richard debe confrontar sus miedos y cuestionar sus deseos más profundos antes que amanezca.
Self
Frig — a film in three parts (Love, Shit and Sperm) — is an experimental drama beginning with the end of a love affair. Love and the resulting experience are presented as a metaphor that goes beyond the personal and into a deeper consideration of life’s cycles, ultimately becoming a reflection on life, death and rebirth. Opening with a personal poem and accompanied by fragmented images, the film plunge into Sade’s universe in “120 Days of Sodom” and charts the descent into one’s own, personal hell, revealing the hidden face of society.
Daniel is an artist who has lost his desire to paint. An unexpected meeting with three « working girls » one evening marks the beginning of a surreal adventure. Later that night, the wildest dreams and the worst nightmares of his three new muses unravel in his imagination.
Eros and Thanatos. One deep breath: this is what Maël might need to cope with his partner Adam's suicide, a tragic event that, apart from great sorrow, has caused him to have a physical breakdown. He is troubled by his doubts about his lover's last drastic act, by how he put an end to his life and to their difficult relationship. But his grief turns into anger when he discovers that Adam had a secret long-term relationship with a woman called Patricia: he digs deep into his own memories, recollecting past events and eventually meeting his rival. On her part, Patricia will have to face unexpected dangers. A claustrophobic melodrama, with an unstructured and evocative narrative style. Here, South African director Antony Hickling, 34, confirms his visionary talent and ability to adopt a fresh point of view on queer cinema. All the performers are strictly gay and transgender, including Manuel Blanc, who was once André Téchiné's muse.
