Elpiniki Voutsa-Rentzepopoulou

Paola, Betty and Eva are three trans women in their 60s who have known each other for more than forty years. All three of them started making their living early in their youth as sex workers in Athens, Greece. In “The Oleanders” Betty Vakalidou, Eva Koumarianou & Paola Revenioti revisit all the different places in the city where they used to work, socialize, get harassed or arrested by the cops, fight for their rights, have fun and find love. The unapologetic, humorous, and empowering discussion between Eva, Betty & Paola is a history of Athens as well as a history of sexuality in this region.

We are in Athens. The city is like a ship sailing upon the Aegean Sea with passengers of all cultures. There is not enough space for everyone on this ship and so the class cannibalism begins. The heroine of the film vacillates between individualism and collective action, the luxury of abstention from public life and the emotional struggle of participating in it. Will she be able to save the next child from being eaten?

We are in Athens. The city is like a ship sailing upon the Aegean Sea with passengers of all cultures. There is not enough space for everyone on this ship and so the class cannibalism begins. The heroine of the film vacillates between individualism and collective action, the luxury of abstention from public life and the emotional struggle of participating in it. Will she be able to save the next child from being eaten?

We are in Athens. The city is like a ship sailing upon the Aegean Sea with passengers of all cultures. There is not enough space for everyone on this ship and so the class cannibalism begins. The heroine of the film vacillates between individualism and collective action, the luxury of abstention from public life and the emotional struggle of participating in it. Will she be able to save the next child from being eaten?

We are in Athens. The city is like a ship sailing upon the Aegean Sea with passengers of all cultures. There is not enough space for everyone on this ship and so the class cannibalism begins. The heroine of the film vacillates between individualism and collective action, the luxury of abstention from public life and the emotional struggle of participating in it. Will she be able to save the next child from being eaten?