Camila Blos

Nalujuk Night is an up close look at an exhilarating, and sometimes terrifying, Labrador Inuit tradition. Every January 6th from the dark of the Nunatsiavut night, the Nalujuit appear on the sea ice. They walk on two legs, yet their faces are animalistic, skeletal, and otherworldly. Snow crunches underfoot as they approach their destination: the Inuit community of Nain. Despite the frights, Nalujuk Night is a beloved annual event, showing that sometimes it can be fun to be scared. Rarely witnessed outside of Nunatsiavut, this annual event is an exciting chance for Inuit, young and old, to prove their courage and come together as a community to celebrate culture and tradition. Inuk filmmaker Jennie Williams brings audiences directly into the action in this bone-chilling black and white short documentary about a winter night like no other.

For generations, the sound of traditional Inuit drum dancing fell silent in Labrador due to colonization. In the early 21st century, the beat of the drum returned, and with it a renewed sense of pride in Inuit culture. Evan’s Drum tells the story of seven-year-old Evan Winters of Happy Valley-Goose Bay as he learns from his mother, Amy, how to drum dance. Amy hopes that her son will continue this newly reclaimed tradition and help to pass it on to future generations of Inuit. Labrador Inuk filmmaker Ossie Michelin brings us into the home of the Winters-Allen family for an intimate look as the revitalized tradition of drum dancing is once more passed down through the generations. Evan’s Drum provides a window into modern Inuit family life through the story of Evan and his family, who work alongside their community to keep the drumbeat alive.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

Una joven se describe a sí misma utilizando los superlativos más deslumbrantes, destacando todo lo que se espera de ella. Sin embargo, la narración visual cuenta una historia completamente diferente, ilustrando con fuerzala la dinámica maligna de nuestra época, el gran malestar: nuestro constante esfuerzo por presentar una imagen de perfección y el miedo paralizante al fracaso y la insuficiencia.

The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.

With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.

With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.